[Fshare] HD Music [FLAC] {High Definition 24 Bit Music Download}

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Billie Holiday - Lady In Satin


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Format: FLAC (tracks) 24 bit/176,4 kHz
Genre: Jazz
Time: 39:36 minutes
Size: 1.85 GB (5% Recovery)
Year: 1958 (2013 Remaster)
Source: HDTracks.com

Lady In Satin is Billie Holiday’s penultimate masterpiece. The 1958 gem is one of her finest achievements and a full display of her immortal vocal abilities. Joined by the Ray Ellis Orchestra, Holiday dazzles on tunes including “For Heaven's Sake,” “You Don't Know What Love Is” and “I'm A Fool To Want You.” The album is one of Holiday’s personal favorites and an emotional listen from start to finish. It is one of jazz’s bestselling albums and was inducted into the GRAMMY Hall of Fame. Absolutely essential.

Tracklist:

01 - I'm A Fool To Want You
02 - For Heaven's Sake
03 - You Don't Know What Love Is
04 - I Get Along Without You Very Well
05 - For All We Know
06 - Violets For Your Furs
07 - You've Changed
08 - It's Easy To Remember
09 - But Beautiful
10 - Glad To Be Unhappy
11 - I'll Be Around​

https://www.fshare.vn/file/RX3DDEOW86XT​

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Chet Baker - Baker's Holiday

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 32:12 minutes
Size: 1.35 GB (5% Recovery)
Year: 1965 (2012 Remaster)
Source: HDTracks.com

Baker’s Holiday, a musical tribute to the legacy of Billie Holiday, is one of Chet Baker’s finest treasures. The session is highlighted with the fluegelhornist’s tender solos and blissful vocals. Backed by a stellar cast of musicians including pianist Hank Jones, drummer Connie Key, guitarist Everett Barksdale and more, this colorful outing is an elegant ten track masterpiece which features the hits “Easy Living,” “These Foolish Things (Remind Me Of You)” and “Mean To Me.”

Tracklist:

01 - Travelin' Light
02 - Easy Living
03 - That Ole Devil Called Love
04 - You're My Thrill
05 - Crazy She Calls Me
06 - When Your Lover Has Gone
07 - Mean To Me
08 - These Foolish Things (Remind Me Of You)
09 - There Is No Greater Love
10 - Don't Explain​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Mạng cùi mà lại đa đoan, thích đủ thứ thành ra chạy theo bác muốn hụt hơi luôn
Nhưng quyết theo bác chủ "trên từng cây số" thôi
Thanks bác chủ nhiều . . . .(Bác cho thêm mấy cái instrumental nữa nhé, hơi bị ít đấy; cở như classical thì tốt quá - Thanks)

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Classical rất nhiều rồi sẽ có nhé, mình muốn chia đều các thể loại ra nhiều giai đoạn cho đỡ nhàm chán. Hiện đang là Jazz, Vocal... rồi sẽ đến Classical rồi lại đến Blues, R&B... rồi lại đến Rock, Pop... rồi lại Jazz...

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

King Curtis - Everybody's Talking

Format: FLAC (tracks) 24 bit/192 kHz
Genre: R&B
Time: 43:42 minutes
Size: 1.79 GB (5% Recovery)
Year: 1971 (2012 Remaster)
Source: HDTracks.com

Curtis Ousley, who performed under the stage name King Curtis, was an American saxophone virtuoso known for rhythm and blues, rock and roll, soul, blues, funk and soul jazz. Curtis was inducted into the Rock and Roll Hall of Fame on March 6, 2000. On Everybody’s Talking, King Curtis is joined by Bernard Purdie, Billy Butler, Cornell Dupree, Billy Preston and the Memphis Horns. This funky effort is highlighted by the hits “If I Were A Carpenter,” “Groove Me” and “Ridin' Thumb.” Everybody’s Talking was one of Billboard’s Top R&B Albums. This is soul-jazz at its best.

Tracklist:

01 - Groove Me
02 - You're The One
03 - Honky Tonk
04 - Love The One You're With
05 - If I Were A Carpenter
06 - Everybody's Talkin'
07 - Ridin' Thumb
08 - Alexander's Ragtime Band
09 - Central Park
10 - Wet Funk (Low Down and Dirty)
11 - Ridin' Thumb Jam​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Seal - Best 1991-2004


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Format: FLAC (tracks) 24 bit/88,2 kHz
Genre: Pop
Time: 66:27 minutes
Size: 1.25 GB (5% Recovery)
Year: 2004 (2011 Remaster)
Source: HDTracks.com

Multiplatinum selling, Grammy winning, critically acclaimed Seal unveils his first greatest hits collection with Seal Best 1991-2004. But there's even more-along with this single-CD edition, which features the original album versions of 12 of his hits and best-loved tracks plus a cover song newly recorded by Seal ("Walk on By"). For fans of the pop, dance, urban and adult contemporary, Seal Best 1991-2004 is the quintessential Seal experience.

Tracklist:

01 - Crazy
02 - Kiss From A Rose
03 - Killer
04 - Prayer for the Dying
05 - Waiting For You
06 - Don't Cry
07 - My Vision
08 - Love's Divine
09 - Walk On By
10 - Get It Together
11 - Fly Like An Eagle
12 - Lips Like Sugar
13 - Human Beings
14 - Future Love Paradise​

https://www.fshare.vn/file/NH4UOICTUK14​

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Clark Terry - Portraits

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Jazz, Swing
Time: 57:35 minutes
Size: 1.22 GB (5% Recovery)
Year: 1988 (2004 Remaster)
Source: HDTracks.com

"Roy Eldridge, Dizzy Gillespie, Miles Davis, Clifford Brown, Harry Sweets Edison, Harry James, Fats Navarro, and Clyde MyCoy. This session is a tribute to legendary trumpeters by a man whose own trumpet has delighted audiences world wide for almost fifty years. As with any great jazz musician, Clark Terry has a sound that is instantly recognizable and perfectly crafted."

Tracklist:

01. Pennies From Heaven
02. Sugar Blues
03. Autumn Leaves
04. Finger Filibuster
05. Little Jazz
06. When It’s Sleepy Time Down South
07. Jive At Five
08. Ciribiribin
09. Ow
10. I Can’t Get Started
11. I Don’t Wanna Be Kissed​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Clark Terry - One On One

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Jazz, Swing
Time: 56:09 minutes
Size: 1.19 GB (5% Recovery)
Year: 2002
Source: HDTracks.com

On his landmark album, One on One, legendary trumpeter/flugelhorn player Clark Terry performs intimate duets with 14 of the world's greatest living pianists. Conceived as a "tribute" album of sorts, this 96/24 recording spotlights the artistry of not only Terry but also the masters of 20th-century jazz piano and composition: each pianist performs an homage to his or her own jazz hero. A once-in-a-lifetime recording for jazz fans and audiophiles alike.

Tracklist:

01 - L.O.V.E.
02 - Just For A Thrill
03 - Liza All the CLouds'll Roll
04 - Intimacy of the Blues
05 - You Can Depend On Me
06 - Memories of You
07 - Honeysuckle Rose
08 - Willow Grove
09 - Solitude
10 - Blue Monk
11 - Misty
12 - Swingin' the Blues
13 - Jungle Blues
14 - Skylark​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Chic - Chic


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Format: FLAC (tracks) 24 bit/192 kHz
Genre: R&B
Time: 38:45 minutes
Size: 1.41 GB (5% Recovery)
Year: 1977 (2012 Remaster)
Source: HDTracks.com

Chic’s self-titled debut is an effortless blend of funk, soul and disco. The band has been compared to greats including Booker T & the MGs. The album includes the infectious R&B numbers “Dance, Dance, Dance” and “Everybody Dance,” two hits that would help put the group on the map. Chic reached #12 on Billboard’s Top R&B Albums.

Tracklist:

01 - Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)
02 - Sao Paulo
03 - You Can Get By
04 - Everybody Dance
05 - Est-Ce Que C'est Chic
06 - Falling In Love With You
07 - Strike Up The Band​

https://www.fshare.vn/file/OEP1QCA3AYN4​

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Carl Orff - Carmina Burana

Format: FLAC (tracks) 24 bit/88,2 kHz
Genre: Classical
Time: 51:16 minutes
Size: 1.09 GB (5% Recovery)
Year: 2008
Source: HDTracks.com

Recorded live at the Barbican Centre in November 2007, Richard Hickox conducts Carl Orff’s immensely popular dramatic cantata Carmina Burana with the London Symphony Orchestra and Chorus and soloists, Barry Banks, Laura Claycomb and Christopher Maltman. The score’s combination of gloriously infectious vulgarity interspersed with moments of genuine beauty has assured it an unquestionable position as one of the most popular of all twentieth-century choral works.

Tracklist:

01 - Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
02 - Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera
03 - Carmina Burana: I. Primo vere: Veris leta facies
04 - Carmina Burana: I. Primo vere: Omnia sol temperat
05 - Carmina Burana: I. Primo vere: Ecce gratum
06 - Carmina Burana: Uf dem anger: Tanz
07 - Carmina Burana: Uf dem anger: Floret Silva
08 - Carmina Burana: Uf dem anger: Chramer, gip die varwe mir
09 - Carmina Burana: Uf dem anger: Reie
10 - Carmina Burana: Uf dem anger: Were diu werlt alle min
11 - Carmina Burana: II. In taberna: Estuans interius
12 - Carmina Burana: II. In taberna: Olim lacus colueram
13 - Carmina Burana: II. In taberna: Ego sum abbas
14 - Carmina Burana: II. In taberna: In taberna quando sumus
15 - Carmina Burana: III. Cour d'amours: Amor volat undique
16 - Carmina Burana: III. Cour d'amours: Dies, nox et omnia
17 - Carmina Burana: III. Cour d'amours: Stetit puella
18 - Carmina Burana: III. Cour d'amours: Circa mea pectora
19 - Carmina Burana: III. Cour d'amours: Si puer cum puellula
20 - Carmina Burana: III. Cour d'amours: Veni, veni, venias
21 - Carmina Burana: III. Cour d'amours: In trutina
22 - Carmina Burana: III. Cour d'amours: Tempus est iocundum
23 - Carmina Burana: III. Cour d'amours: Dulcissime
24 - Carmina Burana: Blanziflor et Helena: Ave formosissima
25 - Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Canty - Carmina Celtica


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Format: FLAC (tracks) 24 bit/192 kHz
Genre: Classical
Time: 66:52 minutes
Size: 2.36 GB (5% Recovery)
Year: 2010
Source: LiNNRecords.com

World-premiere recordings of medieval and contemporary spritual songs including James MacMillan ‘Os mutorum' and John Tavener ‘Two Hadiths'.

There are a number of thematic strands running through this programme: the wanderings of Celtic saints across Europe in the Dark Ages, light and the heavenly bodies, and the life-force of creation, to name but three. The most important aspect of this recording for Canty, however, is that for the first time we have been able to celebrate part of the rapidly growing corpus of contemporary music that has been of vital importance to us since we began our musical journey.

Tracklist:

01 - Salve splendor
02 - Os mutorum
03 - Confessor Dei
04 - O quam mirabilis
05 - Green grow the rushes
06 - Lorica
07 - Flower Garland
08 - Five Lauds Antiphons
09 - Inviolata, integra et casta es, Maria
10 - Through the wood, laddie
11 - Shining Light
12 - Beatus Gallus
13 - There is nothing brighter than the sun
14 - A solis occasu
15 - Ubi flumen praesulis
16 - Sacrosanctam Kentegernus
17 - The Stars in their Courses
18 - Two Hadiths

Produced and engineered by Philip Hobbs.
Recorded at Greyfriars Church, Edinburgh, UK on 24th - 26th February and 9th November 2009.​

https://www.fshare.vn/file/L7VIOMROTSBT​

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Emmanuelle Bertrand, Pascal Amoyel - BBC National Orchestra of Wales
Dmitri Shostakovich: Cello Concerto No.1

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Classical
Time: 63:06 minutes
Size: 1.12 GB (5% Recovery)
Year: 2013
Source: HDTracks.com

10 stars out of 10 - "This is one hell of a performance of Shostakovich's First Cello Concerto. Emmanuelle Bertrand and conductor Pascal Amoyel team up to produce one of the most intense and neurotic versions yet of this intense and neurotic piece". -- Classics Today

Written twenty-five years apart, the two masterpieces for cello by Shostakovich recorded here represent very different periods in the composer’s career. The audaciously insolent Cello Sonata of 1934 is contemporary with Lady Macbeth of the Mtsensk District – the opera soon to plunge Shostakovich into disgrace with Stalin. It is paired with the bitter and self-questioning Cello Concerto No. 1 from 1959, a work by a traumatized humorist who had long since learned not to laugh. Soloist Emmanuelle Bertrand is joined by pianist Pascal Amoyel for the sonata and by the BBC National Orchestra of Wales led by Pascal Rophe for the concerto.

Tracklist:

01 - Emmanuelle Bertrand and BBC National Orchestra of Wales - Cello Concerto No. 1 Op. 107 in E flat Major: I. Allegretto
02 - Emmanuelle Bertrand and BBC National Orchestra of Wales - Cello Concerto No. 1 Op. 107 in E flat Major: II. Moderato
03 - Emmanuelle Bertrand and BBC National Orchestra of Wales - Cello Concerto No. 1 Op. 107 in E flat Major: III. Cadenza
04 - Emmanuelle Bertrand and BBC National Orchestra of Wales - Cello Concerto No. 1 Op. 107 in E flat Major: IV. Allegro con moto
05 - Emmanuelle Bertrand and Pascal Amoyel - Sonata for cello and piano Op. 40 in D Minor: I. Allegro non troppo
06 - Emmanuelle Bertrand and Pascal Amoyel - Sonata for cello and piano Op. 40 in D Minor: II. Allegro
07 - Emmanuelle Bertrand and Pascal Amoyel - Sonata for cello and piano Op. 40 in D Minor: III. Largo
08 - Emmanuelle Bertrand and Pascal Amoyel - Sonata for cello and piano Op. 40 in D Minor: IV. Allegro
09 - Emmanuelle Bertrand and Pascal Amoyel - Moderato for cello and piano​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Iveta Apkalna and Thomas Trotter
The New Organ of the Philharmonie Mercatorhalle Duisburg

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Classical
Time: 72:15 minutes
Size: 2.55 GB (5% Recovery)
Year: 2010
Source: LiNNRecords.com

This recording shares the very first performance on this magnificent instrument by two world-class organists. Also features the Duisburg Philharmonic Orchestra conducted by Jonathan Darlington.

With this new release a very special highlight of the long-standing partnership between the Duisburg Philharmonics under the baton of Jonathan Darlington and ACOUSENCE has been documented: The venue of the Duisburg Philharmonics, the Philharmonie Mercatorhalle erected three years ago, got a big new concert organ built by Eule in an English/late romantic style at the beginning of the 2009/2010 season. The very first performance on this magnificent instrument, the dedication concert on 14th September 2009, immediately presented the opportunity to also publish this multifaceted programme. In addition it was possible to employ two world-class organists as soloists for this concert: Iveta Apkala and Thomas Trotter.

Tracklist:

01 - Jongen: Sonata Eroica in C-sharp minor
02 - Bach: Fugue in G-major, BWV 577
03 - Whitlock: Canzona
04 - Whitlock: Scherzetto
05 - Lemare: Transcription for Organ of the Overture to the Opera 'Rienzi' by Richard Wagner
06 - Thalben-Ball: Variations on a Theme by Paganini for Organ Pedals
07 - Guilmant: Symphony No. 1 for Organ and Orchestra in D-minor - I. Introduction et Allegro
08 - Guilmant: Symphony No. 1 for Organ and Orchestra in D-minor - II. Pastorale. Andante quasi Allegretto
09 - Guilmant: Symphony No. 1 for Organ and Orchestra in D-minor - III. Final. Allegro assai
10 - Encore: Anderson: The Typewriter​

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Antony Hermus Hagen Philharmonic Orchestra
Richard Wagner - Tristan & Isolde

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Classical
Time: 60:00 minutes
Size: 2.09 GB (5% Recovery)
Year: 2007
Source: LiNNRecords.com

A one-hour symphonic orchestral version of Wagner’s passionate Tristan & Isolde arranged by Henk de Vlieger.

Spoiler

The almost one-hour long symphonic work ” Tristan & Isolde. An Orchestral Passion” connects central passages of the opera, and thereby traces the action of the “plot in three acts” (as Wagner simply called his great work). Already the prelude, perhaps the most famous operatic prelude in the history of music, shows the Wagnerian principles of “infinite melody” and the “art of the transition”, for which “Tristan and Isolde” can be regarded as a typical example. As regards content, Wagner here anicipates the scene in the first act in which Tristan and Isolde take the love potion (which they think to be a death potion). Wagner himself described the immense consequences which arise from this as follows: “There hence was no end to the yearning, the longing, the bliss and the misery of love: world, power, glory, honour, chivalry, loyalty, friendship – all scattered like soulless dream; only one thing still living : longing, insatiable, constantly newly formed yearning, thirsting and languishing; the only redemption: death, dying, sinking, no longer awakening!”

In the centre of Wagner’s stage work, and also in Henk de Vlieger’s symphonic treatment, stands the incomparable 2nd act love scene: Isolde, who has been promised to Tristan’s uncle King Marke, meets her lover in the garden of Marke’s castle in Cornwall after the latter has left to go hunting. In unprecedented intensity Wagner arranges this dialogue of infinite love, which culminates in the hymnal night song, “O sink hernieder, Nacht der Liebe” (“O sink down, night of love”). But no luck is granted to this love in this life – the almost infinite intensification of the ecstatic love music culminates in a glaring dissonance: Marke has been warned by Melot and returns with his retinue earlier than expected. The king is deeply shaken by the betrayal, and Tristan deliberately allows himself to be wounded by Melot with the sword.

In the last act the dying Tristan waits in the castle of his fathers in Brittany for Isolde, who is the only one able to cure him. In his feverish illusions he imagines again and again that he sees a ship coming with her on board but is always disappointed, and when she does finally arrive, he dies in her arms. Marke who has learnt about the effect of the love potion and has come with a second ship in order to bring Tristan and Isolde together, finds his friend already dead, and can also no longer save Isolde: She follows her lover in her “Liebestod” (“Love Death”) into the “Wunderreich der Nacht” (“wondrous empire of the night”) – the place where both will be united for ever more.

The Dutch musician Henk de Vlieger was commissioned to write this large-scale orchestral fantasy in 1994 by Radio Filharmonisch Orkest Holland (Dutch Radio Philharmonic Orchestra). De Vlieger who was born in 1953 was himself 1st percussionist of this orchestra. Before that, he had completed a degree in composition. De Vlieger was particularly successful arranging and orchestrating music, mainly by Brahms, Dvorák and Mussorgsky, but especially by Richard Wagner.

Tracklist:

01-Tristan & Isolde – An Orchestral Passion – Einleitung
02-Tristan & Isolde – An Orchestral Passion – Isoldes Liebesverlangen
03-Tristan & Isolde – An Orchestral Passion – Nachtgesang
04-Tristan & Isolde – An Orchestral Passion – Vorspiel und Reigen
05-Tristan & Isolde – An Orchestral Passion – Tristans Vision
06-Tristan & Isolde – An Orchestral Passion – Das Wiedersehen
07-Tristan & Isolde – An Orchestral Passion – Isoldes Liebestod​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Giuseppe Verdi - La Traviata

Format: FLAC (tracks) 24 bit/88,2 kHz
Genre: Classical
Time: 99:29 minutes
Size: 2.10 GB (5% Recovery)
Year: 1977 (1986 Remaster)
Source: HDTracks.com

Quite possibly the definitive studio recording of Verdi’s opera masterpiece, this stunning performance, brilliantly conducted by Kleiber, features multiple Grammy-winning tenor Plácido Domingo and the legendary soprano Ileana Cotrubaş. Originally recorded in 1977, this new high-definition release lends an unheard clarity to this already essential recording.

Tracklist:

Verdi: La Traviata #01 - La traviata / Act 1: Prelude
Verdi: La Traviata #02 - La traviata / Act 1: 'Dell'invito trascorsa e gia l'ora'
Verdi: La Traviata #03 - La traviata / Act 1: 'Libiamo ne'lieti calici (Brindisi)
Verdi: La Traviata #04 - La traviata / Act 1: 'Che e cio?'
Verdi: La Traviata #05 - La traviata / Act 1: 'Un di felice, eterea'
Verdi: La Traviata #06 - La traviata / Act 1: 'Ebben? che diavol fate?'
Verdi: La Traviata #07 - La traviata / Act 1: 'Si ridesta in ciel l'aurora'
Verdi: La Traviata #08 - La traviata / Act 1: 'E strano!' - 'Ah, fors'e lui'
Verdi: La Traviata #09 - La traviata / Act 1: 'Follie! Delirio vano e questo!' - 'Sempre libera'
Verdi: La Traviata #10 - La traviata / Act 2: 'Lunge da lei' - 'De' miei bollenti spiriti'
Verdi: La Traviata #11 - La traviata / Act 2: 'Annina, donde vieni?' - 'Oh mio rimorso!'
Verdi: La Traviata #12 - La traviata / Act 2: 'Alfredo?' 'Per Parigi or or partiva'
Verdi: La Traviata #13 - La traviata / Act 2: 'Pura siccome un angelo'
Verdi: La Traviata #14 - La traviata / Act 2: 'Non sapete quale affetto'
Verdi: La Traviata #15 - La traviata / Act 2: 'Un di, quando le veneri'
Verdi: La Traviata #16 - La traviata / Act 2: 'Ah! Dite alla giovine'
Verdi: La Traviata #17 - La traviata / Act 2: 'Imponete' 'Non amarlo ditegli'
Verdi: La Traviata #18 - La traviata / Act 2: 'Dammi tu forza, o cielo!'
Verdi: La Traviata #19 - La traviata / Act 2: 'Che fai?' 'Nulla'
Verdi: La Traviata #20 - La traviata / Act 2: 'Ah, vive sol quel core'
Verdi: La Traviata #21 - La traviata / Act 2: 'Di Provenza il mar, il suol'
Verdi: La Traviata #22 - La traviata / Act 2: 'Ne rispondi d'un padre all'affetto?' - 'No, non udrai rimproveri'

Verdi: La Traviata #01 - La traviata / Act 2: 'Avrem lieta di maschere la notte'
Verdi: La Traviata #02 - La traviata / Act 2: 'Noi siamo zingarelle'
Verdi: La Traviata #03 - La traviata / Act 2: 'Di Madride noi siam mattadori'
Verdi: La Traviata #04 - La traviata / Act 2: 'Alfredo! Voi!'
Verdi: La Traviata #05 - La traviata / Act 2: 'Invitato a qui seguirmi'
Verdi: La Traviata #06 - La traviata / Act 2: 'Ogni suo aver tal femmina'
Verdi: La Traviata #07 - La traviata / Act 2: 'Di sprezzo degno se stesso rende'
Verdi: La Traviata #08 - La traviata / Act 2: 'Alfredo, Alfredo, di questo core'
Verdi: La Traviata #09 - La traviata / Act 3: Prelude
Verdi: La Traviata #10 - La traviata / Act 3: 'Annina?' 'Comandate?'
Verdi: La Traviata #11 - La traviata / Act 3: 'Tenesta la promessa' - 'Attendo, no a me giungon mai' - 'Addio del passato'
Verdi: La Traviata #12 - La traviata / Act 3: 'Largo a quadrupede'
Verdi: La Traviata #13 - La traviata / Act 3: Signora...Che t'accadde...Parigi, o cara
Verdi: La Traviata #14 - La traviata / Act 3: 'Ah, non pio!' - 'Ah! Gran Dio! Morir so giovine'
Verdi: La Traviata #15 - La traviata / Act 3: 'Ah, Violetta!' 'Voi? Signor?'
Verdi: La Traviata #16 - La traviata / Act 3: 'Prendi, quest'o l'immagine'


Violetta Valery ...........................................Ileana Cotrubas
Flora Bervoix...............................................Stefania Malagu
Annina.......................................................Helena Jungwirth
Alfredo Germont .........................................Placido Domingo
Giorgio Germont .........................................Sherrill Milnes
Gastone, Visconte de Letorieres ....................Walter Gullino
Barone Douphol...........................................Bruno Grella
Marchesc d'Obigny......................................Alfredo Giacomotti
Dottore Grenvil...........................................Giovanni Foiani
Giuseppe ..................................................Walter Gullino
Domestico di Flora.......................................Paul Friess
Commissionario...........................................Paul Winter

Bavarian State Orchestra, Conducted by Carlos Kleiber.
Bayerischer Staatsopernchor, Chorus master & Directed by Wolfgang Baumgart.​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Hôm nay rảnh rỗi quá nên bac lên bao nhiêu em down hết bấy nhiêu. bộ sưu tập của bác hoành tráng quá, em doan về có nhiều album còn chưa kịp nghe hehe. Em cứ down trước, sau này link ở đây mà bị lỗi, nếu cần em sẽ phụ bác reupload lên cho mọi người vào đây down nhé.

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Được lời của bác mình không còn lo gì nữa )
Thanks bác

 

Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

George Gershwin - Piano Concerto in F, Rhapsody in Blue, Cuban Overture

Format: FLAC (tracks) 24 bit/88,2 kHz
Genre: Classical
Time: 54:42 minutes
Size: 1.16 GB (5% Recovery)
Year: 2007
Source: HDTracks.com

Penned for the concert hall but brimming with the sounds and rhythms of Tin Pan Alley and Broadway, this all-GERSHWIN program features American pianist Jon Nakamatsu in the Piano Concerto in F and the Rhapsody in Blue. For an orchestral encore, Jeff Tyzik leads the Rochester Philharmonic in an exuberant reading of the Cuban Overture.

Tracklist:

01 - Gershwin: Piano Concerto in F: Allegro
02 - Gershwin: Piano Concerto in F: Adagio
03 - Gershwin: Piano Concerto in F: Allegro agitato
04 - Gershwin: Rhapsody in Blue
05 - Gershwin: Cuban Overture​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Louis Lortie plays Liszt - The Complete Annees De Pelerinage

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Classical
Time: 161:12 minutes
Size: 2.54 GB (5% Recovery)
Year: 2011
Source: CHANDOS

Spoiler

There’s been no dearth of Années de pèlerinage recordings over the past year or so. Predictably, they range from the compelling (Libor Novacek, Années I and II, Landor 290 and 278; André Laplante, Années I, Analekta 29980), to the less good (Michael Korstick, Années I and II, cpo 777478 and 777585), to the deeply disappointing (Jerome Lowenthal, Années complete, Bridge 9307). The new, complete Années de pèlerinage of Louis Lortie, however, is in a class all its own. He approaches this summit of romanticism steeped in the music of Liszt (his recording of all the works for piano and orchestra, Chandos 10371, a collaboration during 1999–2000 with George Pehlivanian and the Residentie Orchestra of The Hague, is one of the finest). Lortie is a richly imaginative musician and a pianist of cultured refinement whose interpretations invariably tend toward understatement. These 26 pieces occupied Liszt for some 46 years and, along with the Sonata, are emblematic of his achievement as a piano composer. You get the sense that Lortie has long lived with the entire cycle, coming to know (and love) each of its components equally well. Add to this his unstinting identification with Liszt’s poetic message, and you have all the elements required for an Années de pèlerinage of tremendous freshness and originality.

Amid the Alpine landscapes of Book I, the Swiss Year, Lortie conjures uncluttered vistas and pristine atmosphere with unhurried tempos that give each phrase plenty of breathing room. The mini-triptych within the cycle, Au lac de Wallenstadt, Pastorale, and Au Bord d’une source, is painted in luminous colors, highlighted here and there with an exquisitely inflected tempo rubato . When the bucolic idyll is shattered by Orage, Lortie lets loose this implacable force of nature with phrasing that is so deftly shaped, pedaling so restrained, and dynamics so infinitely calibrated that each gust and cascading torrent seems audible. Vallée d’Obermann , the centerpiece of the Swiss Year, has been, at least in recent decades, the most frequently excerpted piece from the cycle. Divorced from context, and in spite of its formal interest, the Vallée has come to typify the 19th-century set piece, more creaking and tear-stained with each iteration. Lortie will have none of that. In a performance both masculine and heartfelt, we sense Obermann’s struggle toward spiritual rejuvenation through the majesty of nature. In place of a sob sister, we have a psychological drama, a genuine pilgrimage, at once gripping and imminently credible, that restores the dignity and stature of this wonderful piece.

Book II, the first of the two Italian Years, demonstrates Lortie’s success in both the scintillatingly intimate miniature and the implacable grandeur of the epic. The chaste refinement of color and line in Raphael’s Milan altarpiece are evoked in an ecstatic reading of Sposalizio. The three Sonnetti del Petrarca provide an interesting case of how the over-exposed can be imbued with new luster and meaning. Lortie achieves this with an unambiguous directness and simplicity of utterance. It is as though we hear Petrarch’s poems declaimed. The fioritura cadenzas emerge organically from the text, a piacere, each note beautifully articulated and perfectly suited to context. Moreover, the Sonnetti exemplify Lortie’s characteristic phrasing, always delineated by what can be maintained with human breath. The culmination of Book II, Après une lecture du Dante: Fantasia quasi Sonata , known as the Dante Sonata , is the longest piece of the entire cycle and far away the most technically challenging. The stentorian introduction draws on an unusually varied dynamic palette to set the stage for the drama that will unfold. In the Presto agitato assai , evoking the whirlwinds of the Inferno, Lortie maintains extraordinarily extended crescendi and decresecendi , drawing on an infinitely calibrated dynamic control and acute rhythmical inflection. Later, in the transition between the second statement of the redemption motif and the return to the infernal maelstrom, he uses the strategy again with stunning results. Over the course of a minute and 20 seconds, and through 22 note-filled measures covering more than two pages in the score, Lortie builds one long, seamless crescendo of overwhelming magnitude. At the return of the tremolando redemption motif in the piano’s upper registers, it sounds like shimmering violins. The final apotheosis seems a blaze of light, though here, as throughout the piece, there is no hint of overplaying or empty bombast. It might be added that in the Dante Sonata, and in pieces like the Chappelle de Guillaume Tell from Book I and Book III’s Sunt lacrymae rerum, where Liszt exploits the piano’s lowest register, it sounds as though the bottom-octave strings of Lortie’s Fazioli grand are a quarter mile long.

But the most remarkable feature of this outstanding recording is the third Année . Its seven pieces represent a distillation of Liszt’s late style and inhabit psychological realms seldom traversed by other 19th-century composers. A number of pianists who recorded the first two books simply don’t venture into the third, and those who have seem confounded sooner or later. Lortie, on the other hand, has plumbed the depths of these strange yet deeply artistic creations, developing interpretations that are remarkable in sharpness of focus and clarity of expression. The best-known of the set, Les Jeux d’eau à la Villa d’Este, combines the utmost delicacy and refinement with a disarming simplicity. Phrases are sculpted with unerring proportion and contour. The villa’s hundred fountains sparkle and splash in a virtuoso display of exquisitely understated pianistic finesse. Nor are the implications of Liszt’s Biblical reference to the waters of everlasting life neglected; a sense of ecstatic spirituality pervades the whole as though it were a sacrament in sound. Musically speaking, the Marche funèbre for the Emperor Maximillian, with its dark impasto and difficult transitions, is one of the most challenging pieces in the set. But what has remained a puzzle in many otherwise creditable performances of the third Année is compellingly deciphered by Lortie. Liszt’s idiosyncratic rhetoric is rendered comprehensible, including the problematic fortissimo trionfante in F?-Major that in so many other readings simply falls flat. Book III opens with Angelus , a prayer to the guardian angels, and closes with Sursum corda , “lift up your hearts,” a reference to the preface to the canon of the Mass. The blend of intuition, intellect, and philosophical insight Lortie brings to Sursum corda , with its prismatic harmonies undulating over the fixed anchor of a pedal point on E, creates a mighty culmination of the cycle.

On this recording, Venezia e Napoli , the supplement to Book II, is placed at the end of the recording, following the stylistically distant third Année . It is an interesting choice, which casts Venezia e Napoli as a sort of encore to the entire cycle, bringing us back to earth after the lofty metaphysics of Book III. Incidentally, the Tarantella is fierce. The recording was made during three days last November at Potton Hall, Dunwich, Suffolk, and the Chandos engineers captured the sound of Lortie’s Fazioli grand brilliantly.

This Années de pèlerinage is unquestionably one of the finest releases thus far during the Liszt bicentennial. Time will tell, but it also may be the finest recording of the work to date. Not to be missed.

Tracklist:

Annees de pelerinage, 1st year, Switzerland, S160/R10:

1 No.1 La chapelle de Guillaume Tell - Allegro vivace 6:22
2 No.2 Au lac de Wallenstadt - Andante placido 3:09
3 No.3 Pastorale - Vivace 1:37
4 No.4 Au bord dune source - Allegretto grazioso 3:45
5 No.5 Orage - Allegro molto Presto furioso 4:15
6 No.6 Vallee d'Obermann - Lento assai 12:10
7 No.7 Eglogue - De lexpression romantique 4:26
8 No.8 Le mal du pays - Lento Andantino 4:58
9 No.9 Les cloches de Genève Nocturne - Quasi allegretto 5:59

Annees de pelerinage, 2nd year, Italy, S161/R10b:

10 No.1 Sposalizio - Andante 6:56
11 No.2 Il Penseroso - Lento 4:20
12 No.3 Salvator Rosa - Andante marziale 2:55
13 No.4 Sonetto 47 del Petrarca - Preludio con moto 5:39
14 No.5 Sonetto 104 del Petrarca - Agitato assai Adagio 6:41
15 No.6 Sonetto 123 del Petrarca - Lento placido 7:01
16 No.7 Apres une lecture du Dante - Andante maestoso 17:21

Annees de pelerinage, 3rd year, S163/R10 :

17 No.1 Angelus! Priere aux anges gardiens - Andante pietoso 7:51
18 No.2 Aux cypres de la Villa d'Este I - Andante Tranquillo 5:42
19 No.2 Aux cypres de la Villa d'Este II - Andante non troppo lento 9:53
20 No.4 Les jeux d'eau a la Villa d'Este - Allegretto Un poco 7:27
21 No.5 Sunt lacrymae rerum - Lento assai 6:16
22 No.6 March funebre - Andante maestoso 5:44
23 No.7 Sursum corda - Andante maestoso non troppo 3:27

Annees de pelerinage, 2nd year, Italy supplement, S162/R10: Venezia e Napoli :

24 No.1.Gondoliera - Quasi allegretto 5:06
25 No.2 Canzone - Lento doloroso 3:24
26 No.3 Tarantella - Prestissimo 8:51

Fazioli grand piano model F 278 courtesy of Jaques Samuel Pianos, London

Recording:

Potton Hall, Dunwich, Suffolk; 8-10 November 2010​

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Prince - Controversy

Format: FLAC (tracks) 24 bit/192 kHz
Genre: R&B
Time: 37:11 minutes
Size: 1.25 GB (5% Recovery)
Year: 1981 (2013 Remaster)
Source: HDTracks.com

Composed, produced, arranged and performed by Prince, Controversy is the music icon’s 1981 classic. Reaching #3 on Billboard’s Top R&B Albums, the work features the hit R&B singles “Controversy” and “Let’s Work.” This undeniable masterpiece highlights Prince’s remarkable musicianship. The outing received four stars from Blender and Rolling Stone.

Tracklist:

01 - Controversy
02 - Sexuality
03 - Do Me, Baby
04 - Private Joy
05 - Ronnie, Talk to Russia
06 - Let's Work
07 - Annie Christian
08 - Jack U Off​

Tenlua.vn (22/04/2014)

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