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Herbie Hancock - Takin' Off

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 39:05 minutes
Size: 1.64 GB (10% Recovery)
Year: 1962 (2014 Remaster)
Source: AcousticSounds.com

At 21, Herbie Hancock was already a mature and well-traveled musician. He played Mozart with the Chicago Symphony at age 11, studied at Grinnell College and by age 20 played with Donald Byrd. Takin' Off, his Blue Note debut, is a sophisticated showcase for Hancock's ability as a group leader. Not as intellectually challenging or technically complex as his later recordings, the pianist nevertheless displays a restless imagination and technical verve. When he's not striking off on funky, swinging solos, the backing chords are restrained an unassuming. He's controlling the session and confident enough to let his soloists (Freddie Hubbard on trumpet and Dexter Gordon on tenor sax – both in fine, relaxed form) take the spotlight. From the now-legendary hit "Watermelon Man" to the reflective, noir-ish "Alone and I," this is a great first album that foreshadows the greatness that would follow on his Blue Note masterworks, Empyrean Isles and Maiden Voyage.

Tracklist:

01 - Watermelon Man
02 - Three Bags Full
03 - Empty Pockets
04 - The Maze
05 - Driftin'
06 - Alone And I

Mastered by Bernie Grundman at Bernie Grundman Mastering.

Musicians:
Herbie Hancock — piano
Freddie Hubbard — trumpet
Dexter Gordon — tenor saxophone
Butch Warren — bass
Billy Higgins — drums​

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Herbie Hancock - My Point Of View

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 34:30 minutes
Size: 1.32 GB (10% Recovery)
Year: 1963 (2014 Remaster)
Source: HDTracks.com

My Point of View is Herbie Hancock's sophomore album, originally released in 1963 on Blue Note Records. The album followed his successful debut album Takin' Off and helped solidify his position in the jazz world. Hancock wrote the piece "Blind Man, Blind Man" after an experience where he encountered a blind man playing his guitar on the corner of his Chicago neighborhood.

Tracklist:

01 - Blind Man, Blind Man
02 - A Tribute To Someone
03 - King Cobra
04 - The Pleasure Is Mine
05 - And What If I Don't Know

Recorded by Rudy Van Gelder on March 19, 1963 at Van Gelder Studio in Englewood Cliffs, NJ.

Musicians:
Herbie Hancock - piano
Donald Byrd - trumpet
Grachan Moncur III - trombone
Hank Mobley - tenor saxophone
Grant Green - guitar
Chuck Israels - bass
Tony Williams - drums​

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Herbie Hancock - Empyrean Isles

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 35:17 minutes
Size: 1.44 GB (10% Recovery)
Year: 1964 (2014 Remaster)
Source: HDTracks.com

Empyrean Isles is Herbie Hancock's fourth album and was recorded on June 17, 1964. It debuted two of his most popular compositions, "One Finger Snap" and "Cantaloupe Island". Hancock pushes the boundaries of hard bop on this album, playing with elements of soul, post-modal jazz, traditional bop, and experimental jazz.

Tracklist:

01 - One Finger Snap
02 - Oliloqui Valley
03 - Cantaloupe Island
04 - The Egg

Musicians:
Herbie Hancock − Piano
Freddie Hubbard − Cornet
Ron Carter − Bass
Tony Williams − drums​

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Herbie Hancock - Inventions & Dimensions

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 36:59 minutes
Size: 1.47 GB (10% Recovery)
Year: 1964 (2014 Remaster)
Source: AcousticSounds.com

Herbie Hancock was only 23 when he recorded the amazing Inventions & Dimensions, his third Blue Note album. Although Hancock had already recorded Takin' Off and My Point Of View, he had quickly developed his own innovative style, and was about to become a member of the Miles Davis Quintet. Inventions and Dimensions is unlike anything he had previously created.

Tracklist:

01 - Succotash
02 - Triangle
03 - Jack Rabbit
04 - Mimosa
05 - A Jump Ahead

Mastered by Bernie Grundman at Bernie Grundman Mastering.

Musicians:
Herbie Hancock – piano
Paul Chambers – bass
Willie Bobo – drums, timbales
Osvaldo "Chihuahua" Martinez – percussion (except track "5")​

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Herbie Hancock - The Prisoner

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 41:16 minutes
Size: 1.51 GB (10% Recovery)
Year: 1969 (2014 Remaster)
Source: HDTracks.com

Herbie Hancock's The Prisoner was one of his first records after leaving the Miles Davis quintet in 1968. The album was done in honor of Dr. Martin Luther King, a musical social statement focused around civil rights while exploring the vastness of the new jazz form known as post-bop. The recording features Garnett Brown on trombone, Joe Henderson on tenor saxophone and alto flute, Johnny Coles on flugelhorn, Buster Williams on bass, and Albert Heath on drums. Although post-bop wasn't as conventional as jazz or bop, Hancock's challenging compositions invite listeners into his world of simple melodies and emotionally austere music.

Tracklist:

01 - I Have A Dream
02 - The Prisoner
03 - Firewater
04 - He Who Lives In Fear
05 - Promise Of The Sun

Recorded April 18, 21, & 23, 1969 at Van Gelder Studio in Englewood Cliffs, New Jersey.

Musicians:
Herbie Hancock — piano, electric piano
Johnny Coles — flugelhorn
Garnett Brown — trombone
Joe Henderson — tenor saxophone, alto flute
Buster Williams — bass
Tootie Heath — drums
Tony Studd — bass trombone (1, 2, 4)
Jack Jeffers — bass trombone (3, 5)
Hubert Laws — flute (1, 2, 4)
Jerome Richardson — bass clarinet (1, 2, 4), flute (3, 5)
Romeo Penque — bass clarinet (3, 5)​

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Herbie Hancock - Crossings

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 46:03 minutes
Size: 2.04 GB (10% Recovery)
Year: 1972 (2014 Remaster)
Source: AcousticSounds.com

Crossings is jazz pianist Herbie Hancock's tenth studio album originally released in 1972. The record was the second during Hancock's Mwandishi period, which featured a string of albums that focused on experimental electronics. Crossings was the first album to feature the newest member to Hancock's group, synthesizer player Patrick Gleeson.

Tracklist:

01 - Sleeping Giant
02 - Quasar
03 - Water Torture

Produced by David Rubinson.
Recorded February 1972 at Pacific Recording Studios in San Mateo, California.

Musicians:
Herbie Hancock - piano, electric piano, mellotron, percussion
Eddie Henderson - trumpet, flugelhorn, percussion
Billy Hart - drums, percussion
Julian Priester - bass, tenor and alto trombone, percussion
Buster Williams - electric bass, bass, percussion
Bennie Maupin - soprano saxophone, alto flute, bass clarinet, piccolo, percussion
Patrick Gleeson - moog synthesizer
Victor Pontoja - congas
Candy Love, Sandra Stevens, Della Horne, Victoria Domagalski, Scott Breach - vocals​

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Herbie Hancock - Thrust

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Jazz
Time: 38:49 minutes
Size: 879 MB (10% Recovery)
Year: 1974 (2014 Remaster)
Source: AcousticSounds.com

The follow-up to the breakthrough Headhunters album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force. There is only one change in the Headhunters lineup -- swapping drummer Harvey Mason for Mike Clark -- and the switch results in grooves that are even more complex. Hancock continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string synthesizer which was already becoming a staple item on pop and jazz-rock records. Again, there are only four long tracks, three of which ("Palm Grease," "Actual Proof," "Spank-A-Lee") concentrate on the funk, with plenty of Hancock's wah-wah clavinet, synthesizer textures and effects, and electric piano ruminations that still venture beyond the outer limits of post-bop. The change-of-pace is one of Hancock's loveliest electric pieces, "Butterfly," a match for any tune he's written before or since, with shimmering synth textures and Bennie Maupin soaring on soprano (Hancock would re-record it 20 years later on Dis Is Da Drum, but this is the one to hear). This supertight jazz-funk quintet album still sounds invigorating a quarter of a century later.

Tracklist:

01 - Palm Grease
02 - Actual Proof
03 - Butterfly
04 - Spank-A-Lee

Musicians:
Herbie Hancock – Fender Rhodes electric piano, Hohner D-6 Clavinet, ARP Odyssey, ARP Soloist, ARP 2600, ARP String Ensemble
Bennie Maupin – soprano and tenor saxophone, saxello, bass clarinet, alto flute
Paul Jackson – electric bass
Mike Clark – drums
Bill Summers - percussion​

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Herbie Hancock - Flood

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Jazz
Time: 74:10 minutes
Size: 1.67 GB (10% Recovery)
Year: 1975 (2013 Remaster)
Source: HDTracks.com

Originally released only in Japan, Flood is a classic jazz/funk album. Herbie Hancock's eighteenth album features songs from previous albums Thrust, Head Hunters, and Man-Child.

Tracklist:

01 - Introduction / Maiden Voyage
02 - Actual Proof
03 - Spank-A-Lee
04 - Watermelon Man
05 - Butterfly
06 - Chameleon
07 - Hang Up Your Hang Ups​

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Herbie Hancock - The Herbie Hancock Trio '77

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Jazz
Time: 46:07 minutes
Size: 1.02 GB (10% Recovery)
Year: 1977 (2014 Remaster)
Source: AcousticSounds.com

The first V.S.O.P. tour triggered a flood of recording activity in July 1977, but only a fraction of it was released in the U.S. This session, recorded in San Francisco just days before the Quintet concerts in Berkeley and San Diego, finds Herbie Hancock, Ron Carter, and Tony Williams mixing it up sans the horns -- and the results are more reflective and cerebral than the full Quintet concerts. Hancock is thoroughly in control of the agenda while Williams throws in those meter-fracturing flurries that keep everyone on their toes. There is a startling re-interpretation of "Speak Like a Child," which is significantly tougher and busier than the wistful Blue Note version, as well as challenging Hancock originals like "Watcha Waiting For" and "Watch It." This is uncompromising acoustic jazz, commercial anathema in the electronic '70s -- and thus, only Japan got to hear it.

Tracklist:

01 - Watch it
02 - Speak Like a Child
03 - Watcha Waitin' For
04 - Look
05 - Milestones

Musicians:
Herbie Hancock – piano
Ron Carter – bass
Tony Williams – drums​

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Horace Silver - The Cape Verdean Blues

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 43:44 minutes
Size: 1.62 GB (10% Recovery)
Year: 1965 (2014 Remaster)
Source: HDTracks.com

The Cape Verdean Blues followed Song for My Father as another album by Horace Silver that was inspired by his father, who hailed from the island nation of Cape Verde. The Cape Verdean Blues featured the added contribution of legendary bop trombonist J.J. Johson, whom Silver had wanted to work with for quite some time leading up to this album.

Tracklist:

01 - The Cape Verdean Blues
02 - The African Queen
03 - Pretty Eyes
04 - Nutville
05 - Bonita
06 - Mo' Joe

Produced by Alfred Lion.
Recorded on October 1 & 22, 1965 at Van Gelder Studio, Englewood Cliffs, NJ.

Musicians:
Horace Silver - piano
Woody Shaw - trumpet
Joe Henderson - tenor sax
J.J. Johnson - trombone on tracks 4-6
Bob Cranshaw - bass
Roger Humphries - drums​

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V.S.O.P. - The Quintet

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Jazz
Time: 71:31 minutes
Size: 1.43 GB (10% Recovery)
Year: 1977 (2013 Remaster)
Source: HDTracks.com

Live recorded performance of the quintet group V.S.O.P. led by Herbie Hancock. Herbie stayed close to his love of acoustic jazz in the ’70s, recording and performing with V.S.O.P. (reuniting him with his Miles Davis colleagues).

Tracklist:

01 - One of a Kind
02 - Third Plane
03 - Jessica
04 - Lawra
05 - Introduction of Players / Darts
06 - Dolores
07 - Little Waltz
08 - Byrdlike

Musicains:
Herbie Hancock - piano
Freddie Hubbard - trumpet
Wayne Shorter - saxophone
Ron Carter - bass
Tony Williams - drums​

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Jackie McLean - One Step Beyond

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 37:21 minutes
Size: 1.57 GB (10% Recovery)
Year: 1963 (2014 Remaster)
Source: HDTracks.com

One Step Beyond was recorded and released in 1963, and features Jackie McLean as a bandleader and alto sax player. It hints at his future movement towards "new jazz", but is still firmly rooted in hard bop.

Tracklist:

01 - Saturday And Sunday
02 - Frankenstein
03 - Blue Rondo
04 - Ghost Town

Produced by Alfred Lion.
Recorded April 30, 1963 in Rudy Van Gelder Studio, Englewood Cliffs, NJ.

Musicians:
Jackie McLean - alto saxophone
Bobby Hutcherson - vibraphone
Grachan Moncur III - trombone
Eddie Khan - bass
Anthony Williams - drums​

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Miles Davis - A Tribute To Jack Johnson

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Jazz
Time: 52:27 minutes
Size: 1.25 GB (10% Recovery)
Year: 1971 (2014 Remaster)
Source: HDTracks.com

A Tribute to Jack Johnson is a soundtrack composed by Miles Davis to accompany a documentary film about the life of boxer Jack Johnson. For the score, Davis said he wanted to put together what he called "the greatest rock and roll band you have ever heard." The line-up featured John McLaughlin and Sonny Sharrock (guitars), Herbie Hancock and Chick Corea (keyboards), Bennie Maupin (clarinet), and Jack DeJohnette and Billy Cobham (drums). Produced by Teo Macero, the soundtrack was recorded in two sessions between February and April of 1970. Both sessions took place at the 30th Street Studio in New York City.

Tracklist:

01 - Right Off
02 - Yesternow

Musicians:

The first track and about half of the second track were recorded on April 7, 1970 by this sextet:
Miles Davis – trumpet
Steve Grossman – soprano saxophone
John McLaughlin – electric guitar
Herbie Hancock – organ
Michael Henderson – electric bass
Billy Cobham – drums

The "Willie Nelson" section of the second track (starting at about 13:55) was recorded on 18 February 1970 by a different and uncredited lineup:
Miles Davis – trumpet
Bennie Maupin – bass clarinet
John McLaughlin – electric guitar
Sonny Sharrock – electric guitar
Chick Corea – electric piano
Dave Holland – electric bass
Jack DeJohnette – drums​

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Lou Donaldson - Sassy Soul Strut

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 39:23 minutes
Size: 1.80 GB (10% Recovery)
Year: 1973 (2014 Remaster)
Source: HDTracks.com

Originally released in 1973, Sassy Soul Strut is jazz saxophonist Lou Donaldson's Blue Note record featuring numerous jazz specialists. The album features standards like "Sanford and Son Theme (The Streetbeater)", "Good Morning Heartache" and "Pillow Talk".

Tracklist:

01 - Sanford And Son Theme
02 - Pillow Talk
03 - Sassy Soul Strut
04 - Good Morning Heartache
05 - City, Country, City
06 - This Is Happiness
07 - Inner Space

Originally recorded April 17 & 18, 1973 at Generation Sound Studios in New York, NY.

Musicians:
Lou Donaldson - varitone alto saxophone
Thad Jones - trumpet
Garnett Brown - trombone
Seldon Powell - tenor saxophone, flute
Buddy Lucas - harmonica
Paul Griffin - piano, electric piano, organ
Horace Ott - electric piano
Hugh McCracken, David Spinozza, John Tropea - electric guitar
Wilbur Bascomb - electric bass
Bernard Purdie - drums
Omar Clay, Jack Jennings - percussion​

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Lou Donaldson - Sweet Lou

Format: FLAC (tracks) 24 bit/192 kHz
Genre: Jazz
Time: 35:03 minutes
Size: 1.53 GB (10% Recovery)
Year: 1974 (2014 Remaster)
Source: HDTracks.com

Sweet Lou was recorded by saxophonist Lou Donaldson in 1974. Produced by Horace Ott and George Butler and recorded at Generation Sound Studios in NYC, the album features compositions by Donaldson as well as a few tunes by other jazz musicians.

Tracklist:

01 - You're Welcome, Stop On By
02 - Lost Love
03 - Hip Trip
04 - If You Can't Handle It, Give It To Me
05 - Love Eyes
06 - Peepin'
07 - Herman's Mambo

Musicians:
Lou Donaldson - varitone alto saxophone
Ernie Royal, Joe Shepley, Danny Moore - trumpet
Garnett Brown - trombone
Seldon Powell, Arthur Clarke - tenor saxophone, flute
Buddy Lucas - harmonica
Horace Ott - keyboards, synthesizer, arranger, conductor
Paul Griffin - clavinet
Hugh McCracken, David Spinozza, Cornell Dupree - electric guitar
Wilbur Bascomb - electric bass
Bernard Purdie Jimmy Young - drums
Unknown - percussion
Barbara Massey, Hilda Harris, Eileen Gilbert, Carl Williams Jr., William Sample, Bill Davis, Eric Figueroa - vocals​

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Bill Frisell - Guitar In The Space Age!

Format: FLAC (tracks) 24 bit/88,2 kHz
Genre: Jazz
Time: 55:13 minutes
Size: 1.18 GB (10% Recovery)
Year: 2014
Source: AcousticSounds.com

Bill Frisell is one of the leading and most innovative guitarists of our time. Although his work is steeped in jazz, his music includes characteristics of rock, country and bluegrass, among various other styles. For his new album, Guitar in the Space Age!, guitarist and composer Bill Frisell mines the catalog of guitar-based music from the 1950s and 1960s that first inspired him to pick up the instrument.

Joining Frisell for this album of musical memories are the members of his working trio, bassist Tony Scherr and drummer Kenny Wollesen, along with frequent collaborator Greg Leisz, a master of the lap and pedal steel guitars. This superb quartet explores the music of Pete Seeger, The Byrds, Junior Wells, Dick Dale, The Ventures, The Astronauts, Chet Atkins, Merle Travis and others with Frisell's own compositions sprinkled in. Guitar in the Space Age! offers a rare look into Bill Frisell's formative influences, from a time when the electric guitar was in its infancy and creating a startlingly new sound, pushing popular music into the future.

Tracklist:

01 - Pipeline
02 - Turn, Turn, Turn
03 - Messin' with the Kid
04 - Surfer Girl
05 - Rumble
06 - The Shortest Day
07 - Rebel Rouser
08 - Baja
09 - Cannonball Rag
10 - Tired of Waiting for You
11 - Reflections from the Moon
12 - Bryant's Boogie
13 - Lift Off
14 - Telstar​

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Cavendish Trailers - Classical Trailers

Format: FLAC (tracks) 24 bit/48 kHz
Genre: Trailer Music
Time: 83:54 minutes
Size: 1.07 GB (10% Recovery)
Year: 2013
Source: Imagem

The most epic, magical, triumphant and ominous classical music themes with layers and layers of added awesome, to add a familiar edge to your trailers, promos and adverts

Tracklist:

01. Iron Throne (Sarabande)
02. Gallows Gate (Danse Macabre)
03. Trolls (Hall Of The Mountain King)
04. Everest (A Night On The Bare Mountain)
05. Final Prayer (Zadok The Priest)
06. Vesuvius (Dies Irae)
07. March Of Khan (Polovtsian Dances)
08. Remember Me (Dido's Lament)
09. Battle Ground (Sarabande)
10. When The Dust Settles (Funeral March)
11. Vigilantes (Polovtsian Dances)
12. Save The Day (Ride Of The Valkyries)
13. Mother Of Grief (Stabat Mater)
14. The Western Isle (Fingal's Cave)
15. Day Of Tears (Lacrimosa)
16. Giulietta (Moonlight Sonata)
17. Iron Throne (Sarabande) (No Choir)
18. Gallows Gate (Danse Macabre) (No Choir)
19. Trolls (Hall Of The Mountain King) (No Lead Melody)
20. Everest (A Night On The Bare Mountain) (No Choir)
21. Final Prayer (Zadok The Priest) (No Choir)
22. Final Prayer (Zadok The Priest) (Synths And Percussion Only)
23. Vesuvius (Dies Irae) (Synths And Percussion Only)
24. March Of Khan (Polovtsian Dances) (String Textures)
25. Remember Me (Dido's Lament) (No Lead Vocal)
26. Battle Ground (Sarabande) (No Lead Vocal)
27. Battle Ground (Sarabande) (No Vocal Or String Melody)
28. When The Dust Settles (Funeral March) (No Piano)
29. When The Dust Settles (Funeral March) (Synths And Percussion Only)
30. Save The Day (Ride Of The Valkyries) (No Choir)
31. Save The Day (Ride Of The Valkyries) (Brass And Percussion Only)
32. Mother Of Grief (Stabat Mater) (No Vocals)
33. Mother Of Grief (Stabat Mater) (Synths And Percussion Only)
34. The Western Isle (Fingal's Cave) (No Percussion)
35. Day Of Tears (Lacrimosa) (No Choir Or Lead Strings)
36. Giulietta (Moonlight Sonata) (No Lead Vocal)​

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Bach: Brandenburg Concertos - Freiburg Baroque

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Classical
Time: 90:07 minutes
Size: 1.88 GB (10% Recovery)
Year: 2014
Source: Qobuz.com

The Brandenburg Concertos need no introduction – doubtless because they owe their fame to a systematic exploration of a genre recently inherited from the Italians, with a still youthful Bach devising as many different scorings as there are concertos. When he received the manuscript of the six works, Christian Ludwig, Margrave of Brandenburg, must have been terrified by their demands, and his musicians even more so! Three centuries later, the cycle is as open as ever to new ‘historically informed’ interpretations, as this set demonstrates. The CD cover represents the importance of numbers in these works eg Concerto No 3 which is scored for three instruments, in 3 time, 3 sections etc. The trumpeter is particularly impressive. Freiburg are recording and touring Bach throughout 2014.

Tracklist:

1. Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Orchestra/Ensemble: Freiburg Baroque Orchestra
Period: Baroque
Written: 1717; Cöthen, Germany

2. Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Orchestra/Ensemble: Freiburg Baroque Orchestra
Period: Baroque
Written: 1717-1718; Cöthen, Germany

3. Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Orchestra/Ensemble: Freiburg Baroque Orchestra
Period: Baroque
Written: 1711-1713; Weimar, Germany

4. Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Orchestra/Ensemble: Freiburg Baroque Orchestra
Period: Baroque
Written: circa 1720; Cöthen, Germany

5. Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Orchestra/Ensemble: Freiburg Baroque Orchestra
Period: Baroque
Written: 1720-1721; Cöthen, Germany

6. Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach
Orchestra/Ensemble: Freiburg Baroque Orchestra
Period: Baroque
Written: 1708-1710; Weimar, Germany​

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Christoph Poppen - Soren Nils Eichberg: Before Heaven, Before Earth, Symphonies No. 1 & 2

Format: FLAC (tracks) 24 bit/96 kHz
Genre: Classical
Time: 57:39 minutes
Size: 853 MB (10% Recovery)
Year: 2013
Source: Dacapo

The Danish National Symphony Orchestra premieres the first two symphonies by their outstanding young composer-in-residence, Søren Eichberg. Eichberg is a very accessible composer who writes colourful and effectual music. He is currently working on a commission from the Royal Opera, Covent Garden.

Tracklist:

Symphony No. 2, "Before Heaven, Before Earth"
1. Chaotisch, aggressiv
2. Sehr genau
3. Glasern
4. Wieder nervoser

Symphony No. 1, "Sturzten wir uns ins Feuer"
5. Schnell, wie im Rausch
6. Tempo I
7. Mysterios
8. Tempo II ​

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Johann Sebastian Bach - Mass in B Minor

Format: FLAC (tracks) 24 bit/88,2 kHz
Genre: Classical
Time: 102:07 minutes
Size: 2.07 GB (10% Recovery)
Year: 2006
Source: LinnRecords.com

Tracklist:

01. Kyrie eleison
02. Christe eleison
03. Kyrie eleison
04. Gloria in excelsis Deo
05. Et in terra pax
06. Laudamus te
07. Gratias
08. Domine deus
09. Qui tollis
10. Qui sedes
11. Quoniam tu solus Sanctus
12. Cum Sancto Spiritu
13. Credo in unum Deum
14. Patrem omnipotentem
15. Et in unum Dominum
16. Et incarnatus est
17. Crucifixus
18. Et resurrexit
19. Et in Spiritum sanctum
20. Confiteor
21. Et expecto
22. Sanctus
23. Osanna
24. Benedictus
25. Osanna - da capo
26. Agnus Dei
27. Dona nobis pacem​

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