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Keith Jarrett, Gary Peacock, Jack DeJohnette - Standards Live 2018 - DSF Label/Cat#: ECM Records – PROZ-1105 Country: Japan Year: 23 May 2018 Genre: Jazz Style: Post Bop Format: SACD, Hybrid, Stereo, Album, Limited Edition, Reissue, Remastered 1 – Stella By Starlight(10:53) 2 – The Wrong Blues(7:42) 3 – Falling In Love With Love(8:4) 4 – Too Young To Go Steady(9:47) 5 – The Way You Look Tonight(7:23) 6 – The Old Country(5:10) Total length: (48:59)
Keith Jarrett, Gary Peacock & Jack DeJohnette – Changes Label/Cat#: ECM Records – PROZ-1104 Country: Japan Year: 23 May 2018 Genre: Jazz Style: Contemporary Jazz Format: SACD, Hybrid, Album, Limited Edition, Reissue, Remastered Track List： 1 – Flying Part 1(16:3) 2 – Flying Part 2(14:45) 3 – Prism(6:31) Total length: (37:19)
Ferenc Fricsay - Dvorak: Symphony No.9 / Smetana: Moldau 2020 - Artist: Ferenc Fricsay Title: Dvorak: Symphony No.9 / Smetana: Moldau Year Of Release: 1959, 1960 [2020] Label: Tower Records [PROC-2267] Genre: Classical Quality: DSD64 image (*.iso) | FLAC (24bit/88,2 kHz) Total Time: 01:18:51 Total Size: 2,1 GB / 1,3 GB (+3%rec.) WebSite: Album Preview Fricchai's famous performance "New World", which can be said to be a representative of DG recording, and "Moldau", which also shook the Berlin Philharmonic, and one of Kodaly's masterpieces, which continued to be featured with extraordinary enthusiasm throughout his life along with Bartók, "Hari Suite". ・Janos" is a truly golden combination album. "New World", recorded in 1959, is a performance where you can feel the underlying strength of the Berliner Philharmoniker with a low center of gravity and Fricchay's outstanding sense of tempo and skillful switching. You can It is an attractive performance that pushes away many recordings, and it is a masterpiece that can be placed on the front line even after 60 years since its recording. "Moldau" starts at an early tempo, and the mid-section with plenty of reverberations has a sense of liberation and flowing tempo. Due to the ability of the orchestra, it has become a rare masterpiece. There are many opportunities to play alone, and there are many recordings here, but this performance can also be said to be a recording that feels like Fricchay. Furthermore, it is no exaggeration to say that Kodaly's representative orchestral work, the suite "Hari Janos", is the definitive version of this piece, and this re-recording just seven years after the first recording in 1954. Although there is a difference between stereo and mono, the world of Kodaly is depicted more densely. The music that emphasizes universal musicality rather than excessive ethnicity must be a performance that many listeners will be satisfied with. Also, this recording was recorded just two months before Fricchay gave up conducting activities, and it can be said that it is one of the last recordings.
Takashi Asahina - Bruckner: Symphonies Nos. 5 7 8 9 & Te Deum 2021 Artist: Takashi Asahina Title: Bruckner: Symphonies Nos. 5 7 8 9 & Te Deum Year Of Release: 1991-1996 [2021] Label: Exton [OVEP-00013] Genre: Classical Quality: DSD64 image (*.iso) / 2.0 > 1-bit/2.8224 MHz Total Time: 06:22:00 Total Size: 9,7 GB (+3%rec.) WebSite: Album Preview Record of Takashi Asahina's live performance at the Tokyo Symphony Orchestra in the 90's. It is stamped here that the famous performances of "Te Deum" and "No. 9" in 1991 came to fruition as a great achievement of the Cycles for the next four years from 1993. The synergy between Asahina and the Tokyo Symphony Orchestra, which is in close communication with the Tokyo Symphony Orchestra, is the high-fidelity ``No. 5'', the uplifting ``No. 7'', the majestic and empathetic ``No. "No. 9" and Bruckner's image of a very masculine appearance are produced. This is the first appearance of the 6-disc set that includes the 1991 edition, which was highly praised by Koyoshi Uno. It has an attractive structure, including a new manuscript by Mr. Shiroo Tojo, a commentary on the performance of the 1991 edition by Mr. Koyoshi Uno, a new mastering for 2021 by Yuyoshi Ezaki, and a green label specification. Canyon Classics master, new re-release for the first time in about 10 years. In addition, the reprint on the same Octavia label will be the release following "Brahms: Complete Symphonies (1994-1995)" (OVEP00011) released on April 23, 2021. In addition, in this reprint, "No. 5" and "Te Deum & No. 9" recorded in 1991, which were previously released as a set of 2 when sold separately, are recorded on one disc each, and the total number of copies is reduced. Regarding the number of Bruckner performances performed by Asahina, the Tokyo Symphony Orchestra was the second-most orchestra after the Osaka Philharmonic Orchestra (hereafter, Tokyo Symphony Orchestra and New Japan Philharmonic Orchestra follow in equal numbers). Of course, both of them, who have co-starred other than Bruckner, have left many famous performances until their later years. Among them, Bruckner's performances include Nos. 2, 3, 4, and 6 in addition to the songs here, and it can be said that it was the second largest after the Osaka Philharmonic. In addition, "Te Deum" was the last of the six performances in his life in 1991. This time, on the occasion of the 20th anniversary of Asahina's death, we traced the trajectory left behind by Asahina, but Asahina's Bruckner performance is exceptional, and now such a masterly performance is dying out, probably due to the flow of the times. Therefore, it is thought that it is not just a record, but rather a longing with nostalgia. You can listen to the atmosphere and tone of the venue at that time with her high-quality sound, so it will bring back memories of the past more than her conventional board. In commemoration of the 20th anniversary of her death, this commentary includes an article by Mr. Sekio Tojo, who had many discussions with her. After looking back on Asahina's Bruckner, it is a must-read commentary with episodes unique to him. The matter that reminds me of Asahina's humorous tone is interesting even for non-Asahina fans. Track List： Anton Bruckner Disc 1 1. Symphony No. 5 in B-Flat Major WAB 105 (original version) Recorded: April 12 1995 Suntory Hall Tokyo Disc 2 2. Symphony No. 7 in E Major WAB 107 (ed. R. Haas) Recorded: April 23 1994 Suntory Hall Tokyo Disc 3 & 4 3. Symphony No. 8 in C Minor WAB 108 (ed. R. Haas Recorded: November 13 1993 Suntory Hall Tokyo Disc 5 4. Symphony No. 9 in D Minor WAB 109 (original version) Recorded: April 13 1996 Suntory Hall Tokyo Disc 6 5. Te Deum WAB 45 6. Symphony No. 9 in D Minor WAB 109 (original version) Recorded: March 16 1991 Bunkamura Orchard Hall Tokyo
Wolfgang Amadeus Mozart, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm - Requiem 2021 Artist: Karl Bohm Title: Mozart: Requiem Year Of Release: 1971 [2021] Label: Tower Records [PROC-2341] Genre: Classical Quality: DSD64 image (*.iso) / 2.0 > 1-bit/2.8224 MHz Total Time: 01:04:37 Total Size: 1,7 GB (+3%rec.) WebSite: Album Preview Mozart's performance 50 years ago, when this recording was made, was, in a sense, the end of the romantic performance based on modern instruments and classical forms before entering the performance of early music later. It is said to be close to It may have been this re-recording of Boehm that was described as the most right-wing performance of this piece in that style, but even during the peak of early music performances that followed, this disc never shined. It has remained in people's hearts without losing it. This performance has already reached a height that transcends style differences and trends, and is evaluated as a masterpiece among masterpieces. As evidence of that, this sound source has been reissued many times even in the CD era, and in 2004 it was made into a SA-CD hybrid on the market. Many people may say that the first performance of this song was the Boehm board. Until the 1960s, Böhm maintained a lively command, and even in the 1970s, his keen eyesight and forward-looking music were still alive. However, in this performance, the tempo is slower than usual, and the flow is slow and the amplitude is large. It is somewhat different from the performances that were seen here and there just before his death. Wasn't what Boehm wanted to aim for, in the midst of its elegant sound, a reconstruction of this masterpiece? The slow tempo makes us feel that the approach to this song is more analytical than before, and we can see that he pays great attention to the balance of each individual, including the orchestra. Of course, there are no scenes of relaxation, and the rich sound that makes you feel affection and the high degree of perfection are probably the reasons why this masterpiece is still popular. Track List： 1 – Introitus - Kyrie - Sequentia(9:36) 2 – Dies Irae(1:59) 3 – Tuba Mirum(4:17) 4 – Rex Tremendae Majestatis(3:10) 5 – Recordare, Jesu Pie(7:2) 6 – Confutatis Maledictis(3:50) 7 – Lacrimosa(4:10) 8 – Offertorium(4:39) 9 – Hostias Et Preces(5:5) 10 – Sanctus(1:57) 11 – Benedictus(6:53) 12 – Agnus Dei - Communio(11:28) Total length: (1:4:6)
Georg Solti - R.Strauss: Orchestral Works 2020 Artist: Georg Solti Title: R.Strauss: Orchestral Works Year Of Release: 1972-1979 [2020] Label: Tower Records [PROC 2292~93] Genre: Classical Quality: DSD64 image (*.iso) / 2.0 > 1-bit/2.8224 MHz Total Time: 02:32:07 Total Size: 3,7 GB (+3%rec.) WebSite: Album Preview A compilation of five analog-recorded works by R. Strauss, in which Solti distributed three orchestras. Super excellent recording by DECCA. Reproduce the spectacular bursting tones with the highest quality sound! All on SA-CD for the first time in the world. Solti, who recorded many Richard Strauss works including operas on DECCA, has collected five analog-recorded orchestral works on two discs. From 1972's "Don Juan" with the Chicago Symphony Orchestra to 1979's "Alpine Symphony" with the Bavarian Radio Symphony Orchestra, a rarity at the end of analog recording, you can see the transition of excellent recordings by DECCA in the 1970s. It is a set of 2. The three songs with the Chicago Symphony Orchestra were recorded at the height of the orchestra's peak. It is a sound source that is highly evaluated as a dynamic performance that became a rival of. At the time, many people must have admired the straighter, especially the vivid sound of brass instruments. The recording is also extremely vivid, centering on the trumpet group led by Herses that cuts through the air and the rhythmic hits of Solti. Your words are a masterpiece. On the other hand, "Hero's Life" with the Vienna Philharmonic, which has a profound feeling but also a flexibility that is different from the previous recording, is also excellent, and it has long been evaluated as one of the top masterpieces of this song. It's been done. Furthermore, as DECCA, "Alps Symphony" was recorded at a time when digital recording had already started in places such as Vienna. This is also a board that has been well received since its first appearance. The performance time is about 44 minutes, and it seems to be Solti that progresses at a faster tempo than other performances, but the depiction of various scenes and the ability to enhance the effect to the theatrical level are as wonderful as before, and it is SA-CD. It's a top-notch recording to listen to. The excellence of DECCA can be felt more prominently in this reprint.
Leonard Bernstein, Montserrat Caballe - R.Strauss: Salome 2020 Artist: Leonard Bernstein, Montserrat Caballe Title: R.Strauss: Salome Year Of Release: 1977 [2020] Label: Tower Records [PROC-2299] Genre: Classical Quality: DSD64 image (*.iso) | FLAC (24bit/88,2 kHz) Total Time: 01:06:36 Total Size: 1,7 GB / 1,1 GB (+3%rec.) WebSite: Album Preview Leonard Bernstein, who will celebrate 30 years after his death on October 14, 2020, made the world's first SA-CD recording of the first DG. Starting with recording Met and "Carmen" on the DG label in 1972, he left behind many masterpieces until just before his death. At that time, the New York Philharmonic music director retired, but there were still many contracts with CBS, and he was in the process of increasing recordings on DG as he entered Europe. After "Carmen", he left his own "Divak" suite in 1975, Boston Symphony and Liszt's "Faust Symphony" the following year, and soon a concert live for the Bavarian Philharmonic and Amnesty. It was this Boyt who recorded Stravinsky's "Marriage" and others in London in March, and made the first recordings on the Vienna Philharmonic and DG the following month (the Vienna Philharmonic is two DECCA and CBS). Not the first recording because of the "Knight of the Roses" with. Due to the short recording time of this monumental recording, the LP was released in coupling with the aforementioned "Faust Symphony" (it seems that it was intended to be connected to "Faust"), but it is quite difficult in the CD era. It was not made into a CD, and was treated as a reprint as a bonus board in the domestic version. In the month following Boito's recording, the works of the French National Tube and R. Strauss were taken up in Paris with Boito as a soloist, and this was also recorded for the first time with DG. There are many recordings during this period, and it is characterized by a wide variety of recording labels such as CBS, EMI, and DG. Bernstein's R. Strauss recordings aren't that many, but it's pretty rare to have recorded the finale of "Salome," which probably hasn't conducted all the songs. According to Mr. Yamazaki's description in this commentary, at this time, the recording was done in parallel with the "charity concert for cancer research", and the concert was only R. Strauss. That thing. Cavalier left a recording of all "Salome" songs on RCA in 1968, and here again he has set up his own larger-scale image of Salome. Bernstein also has a relaxed and unique tempo in "Dance of the Seven Veils", and it is interesting that the performance has an inner enthusiasm. Boito is also excellent in recording, and is also famous as a recording of the whole body by DG at the time when analog recording was mature. The dynamic range is amazingly wide, and it captures the explosive roar. Although the method of recording only this "monologue" was also in Toscanini in his later years, it is unclear what Bernstein chose for the first DG recording with the Vienna Philharmonic. Bernstein, who was not always active in the field of opera, may have had the purpose of wanting to make a mark in opera, as there are precedents for "Der Rosenkavalier" and "Falstaff" in Vienna.
Johann Strauss, Josef Strauß, Wiener Philharmoniker & Karl Böhm – An Der Schönen Blauen Donau / Kaiserwalzer * Perpetuum Mobile * Tritsch-Tratsch-Polka * Rosen Aus Dem Süden Label/Cat#: Deutsche Grammophon – PROC-2315 Country: Japan Year: 20 Jan 2021 Genre: Classical Style: Romantic Format: SACD, Hybrid, Reissue 1 – An Der Schönen, Blauen Donau Op. 314 - Walzer 2 – Tritsch-Tratsch-Polka Op. 214 3 – Kaiserwaltzer Op. 437 4 – Unter Donner Und Blitz Op. 324 - Polka Schnell 5 – Rosen Auss Dem Süden Op. 388 - Walzer 6 – Pizzicato-Polka 7 – Annen-Polka Op. 117 - Polka Francaise 8 – Perpetuum Mobile Op. 257 - Musikalischer Scherz
