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[Fshare] HD Music [FLAC] {High Definition 24 Bit Music Download}

Thảo luận trong 'Nhạc quốc tế' bắt đầu bởi overkillx, 15/2/13.

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SamplerHiend Well-Known Member

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Tranngochiep1234 nói: ↑

làm ơn cho mình xin lại album này nhé cảm ơn
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Xin mạn phép Bác chủ nhé...!

Link của Bạn:

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SamplerHiend, 13/3/19

#3241

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kamenrider1997 Well-Known Member

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Bác nào cho mình xin lại mấy album của Linkin Park với ạ! Link trên die mất rồi!

kamenrider1997, 17/3/19

#3242
Superkames Well-Known Member

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Link của bác die nhiều quá, kéo được 1 ít.
Thanks bác

Superkames, 18/3/19

#3243
langtugiangho Member

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Mark Mothersbaugh - Thor Ragnarok (Original Motion Picture Soundtrack)

Format: FLAC 24 bit / 44.1 kHz
Genre: Soundtrack
Source: http://www.hdtracks.com/thor-ragnarok-original-motion-picture-soundtrack
Release Date: 2017

For cosmic action film Thor: Ragnarok, composer Mark Mothersbaugh (The Royal Tenenbaums, 21 Jump Street) seemingly pulled out all the stops: harp, strings, electronics, and soaring brass work together to give a sense of maximalist peril in “Ragnarok Suite.” Although the film’s a superhero-laden sci-fi adventure, tracks like the coldly folky “Twilight of the Gods" give a sense of the Norse mythology that inspired the world of Thor.

Tracklist:

01. Ragnarok Suite
02. Running Short on Options
03. Thor: Ragnarok
04. Weird Things Happen
05. Twilight of the Gods
06. Hela vs. Asgard
07. Where am I?
08. Grandmaster’s Chambers
09. The Vault
10. No One Escapes
11. Arena Fight
12. Where’s the Sword?
13. Go
14. What Heroes Do
15. Flashback
16. Parade
17. The Revolution Has Begun
18. Sakaar Chase
19. Devil’s Anus
20. Asgard Is a People
21. Where To?
22. Planet Sakaar
23. Grandmaster Jam Session

Nhấn nút Cảm ơn (dưới chân bài) để thấy link!

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Bác nào down kịp bản hires này rồi up lại giúp em với ạ, nghe flac ghiền quá ạ. Cám ơn các bác nhiều

langtugiangho, 23/3/19

#3244

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SamplerHiend Well-Known Member

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langtugiangho nói: ↑

Bác nào down kịp bản hires này rồi up lại giúp em với ạ, nghe flac ghiền quá ạ. Cám ơn các bác nhiều
Click to expand...

Xin mạn phép Bác chủ nhé...!
Link của Bạn:

Fshare:

Nhấn nút Cảm ơn (dưới chân bài) để thấy link!

Nhấn nút Cảm ơn (dưới chân bài) để thấy link!

SamplerHiend, 23/3/19

#3245

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kamenrider1997 Well-Known Member

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Linkin Park - One More Light - Live

Format: FLAC 24 bit / 44.1 kHz
Genre: Alternative
Source: https://www.qobuz.com/fr-fr/album/one-more-light-live-linkin-park/0093624907893
Release Date: 2017

Linkin Park have announced a new live album titled One More Light Live, a document of their final tour with Chester Bennington. "We dedicate this live album to our brother Chester who poured his heart and soul into One More Light," the band said in a statement on the Linkin Park site. "After we finished recording the album, we joked with Chester that - since he had delivered so many stunning performances in the studio - he had set the bar extra high to produce that alchemy on stage each night. Not surprisingly, he welcomed the challenge."

Tracklist:

01. Talking To Myself (live)
02. Burn It Down (live)
03. Battle Symphony (live)
04. New Divide (live)
05. Invisible (live)
06. Nobody Can Save Me (live)
07. One More Light (live)
08. Crawling (live)
09. Leave Out All The Rest (live)
10. Good Goodbye (+ Stormzy) (live)
11. What I've Done (live)
12. In The End (live)
13. Sharp Edges (live)
14. Numb (live)
15. Heavy (live)
16. Bleed It Out (live)

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Có ai có album này bản phòng thu (ko phải bản live) ko cho mình xin với ạ! :3

kamenrider1997, 1/4/19

#3246

chickwan and lean8780 like this.
kamenrider1997 Well-Known Member

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Lana Del Rey - Lust For Life

Format: FLAC 24 bit / 44.1 kHz
Genre: Indie
Source: http://www.qobuz.com/fr-fr/album/lust-for-life-lana-del-rey/0060255790293
Release Date: 2017

The fourth full-length release for the pop singer-songwriter. Lust for Life is Lana Del Rey's most expansive album; it has 16 songs, stretching nearly 72 minutes. It also, in rare moments, hints at a wink behind Ms. Del Rey's somber lullabies. The album features guest appearances from ASAP Rocky, Sean Ono Lennon, Stevie Nicks, Playboi Carti, and The Weeknd.

Tracklist:

01 - Love
02 - Lust for Life (feat. The Weeknd)
03 - 13 Beaches
04 - Cherry
05 - White Mustang
06 - Summer Bummer (feat. A$AP Rocky & Playboi Carti)
07 - Groupie Love (feat. A$AP Rocky)
08 - In My Feelings
09 - Coachella - Woodstock in My Mind
10 - God Bless America - And All the Beautiful Women in It
11 - When the World Was at War We Kept Dancing
12 - Beautiful People Beautiful Problems (feat. Stevie Nicks)
13 - Tomorrow Never Came (feat. SEAN ONO LENNON)
14 - Heroin
15 - Change
16 - Get Free

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Cho mình xin lại album này với ạ! link này die mất rồi!

kamenrider1997, 1/4/19

#3247

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SamplerHiend Well-Known Member

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kamenrider1997 nói: ↑

Có ai có album này bản phòng thu (ko phải bản live) ko cho mình xin với ạ! :3
Click to expand...

Xin mạn phép Bác chủ nhé...!
Link của Bạn:

Linkin Park - One More Light (2017) [24-44.1]

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Chỉnh sửa cuối: 8/9/19

SamplerHiend, 1/4/19

#3248

Thu Sang, Ngocson259, Fiery179 and 55 others like this.
SamplerHiend Well-Known Member

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kamenrider1997 nói: ↑

Cho mình xin lại album này với ạ! link này die mất rồi!
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Lana Del Rey - Lust For Life (2017) [Hi-Res]

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SamplerHiend, 1/4/19

#3249

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Lặng Im Member

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Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

Palladians - The Devil's Trill - Sonatas by Giuseppe Tartini

Format: FLAC (tracks) 24 bit/88,2 kHz
Genre: Classical
Time: 62:01 minutes
Size: 1.15 GB (5% Recovery)
Year: 2008
Source: LinnRecords.com

The Devil's Trill

Around 1700, Northern Europe was deluged with Italian violin music and players. Engraving made printed music cheaper, and economic collapse throughout the Italian peninsula made the more stable north look like the ‘Promised Land'. The stage was set for a musical invasion by a host of indigent virtuosi and stay-at-home composers, all of whose surnames seemingly end with the letter ‘i'.

Today's listener can be forgiven for being bewildered and even benumbed by Nardini, Carbonelli, Locatelli, Tartini, Veracini, Pugnani and the like, but digging a little deeper reveals much interesting and individual music, and even a few real masterpieces. Of course most of this music is frothy nonsense, either doggerel written for the amateur market, or exhilarating, but empty, concert fodder designed to amaze the masses. Not everyone was enthusiastic - witness the sceptical connoisseur Roger North in his rant on Italian virtuoso fiddlers (thought to be inspired by a performance by the Florentine violinist Veracini at the Haymarket Theatre in London - more on Veracini later.):

‘...no better than insane; for sometimes they run, then they start, then they chatter, and not seldom fall into a whistling way of high arpeggio, much prized for the difficulty of handling, and then coming a little to themselves, incline to sleep out a short adagio, after which, stand clear; for tripla comes, and tripla upon that, and devision upon that, with snappes upon snaps like a dog in distraction. And after all ends with what should be a dance called a jigg, but so swift, that no living man can run so fast as the measure is; it is impossible for a dancer to keep such time, and his whole action must be running about like a madman... And many persons that doe not well distinguish between real good and evill, but are hurryed away by caprice, as in a whirlwind, think such music is the best; and despise those who are not of the same opinion and [as the rabble] crye, It is brave sport... And as to these, in naming Vivaldi, (tho' he hath his fellows) I have instanced enough.'

Since the invention of the violin, its players have been preoccupied with the challenge of playing higher and higher (North's ‘whistling way') and one could construct an amusing chart of ascending pitch (Ucellini, 1658 d", Bertali 1670 e" etc) that would resemble those claims by Arctic explorers of who could achieve the farthest North World Record in degrees until the North Pole was reached. Nowadays, of course, the second desk of orchestral violins routinely play higher - in a Shostakovich symphony for instance - than any eighteenth century virtuoso ever did, much in the manner that one can now book a luxury cruise liner to the Arctic - such is the fugitive nature of human endeavour and achievement.

One musician immune to the attractions of this violinistic Absolute North however, was Giuseppe Tartini (1692-1770). Famed throughout Europe as a pre-eminent virtuoso, he shunned publicity and was a private, even secretive man, passionately interested in astronomy, fencing and acoustics as well as music. Something of his character is revealed in the fact that many of his manuscripts were annotated in a secret code (deciphered only in 1935) concealing mottos and fragments of poetry by Metastasio, Petrarch and Tasso. Of the two programmatic sonatas recorded here ‘Didone abandonata' is only described so in the autograph - in the published version it is simply Op.1 No.10, whilst The Devil's Trill was only published posthumously. Thus, for Tartini, programmatic elements and sources of inspiration were matters to be kept private rather than trumpeted forth, the exact opposite of a canny Vivaldian marketing strategy.

While his works are often extraordinarily difficult, their virtuosity rises out of a desire to express rather than amaze; here a lightening quick leap of the bow to portray the fury of a princess scorned; there a fiendishly painful trill to mimic diabolical laughter. It is this intense pictorial inward gaze which seems at least as strong as his desire to create ‘brave sport' that sets him somewhat apart from his colleagues.

Tartini's most famous work is undoubtedly The Devil's Sonata (known popularly as The Devil's Trill after the infamous passage in the last movement - described rather wonderfully in the score as ‘Devil's Trill at the foot of the bed'). Not only was the work suppressed in Tartini's lifetime but the very first account of the story behind it was only printed after his death:

‘One night I dreamt that I had made a pact with the devil; he was my servant and anticipated my every wish. I had the idea of giving him my violin to see if he might play me some pretty tunes (beaux aires), but imagine my astonishment when I heard a sonata so unusual and so beautiful, performed with such mastery and intelligence, on a level I had never before conceived was possible! I was so overcome that I stopped breathing and awoke gasping. Immediately I seized my violin, hoping to recall some shred of what I had just heard - but in vain. The piece I then composed is without a doubt my best, and I still call it The Devil's Sonata, but it falls so short of the one that stunned me that I would have smashed my violin and given up music forever if I could but have possessed it.'

Tartini to J.J. Lalande. Voyage d'un Francais en Italie (1765-6).

While The Devil's Sonata is a deservedly celebrated masterpiece - a triumph of imagination which has never left the repertory, in my view the lesser known work ‘Didone abandonata' is possibly an even more extraordinary achievement. As a psychological study of abandonment, rage and despair it ranks easily alongside similar works by Monteverdi, Charpentier, and Purcell. The first movement is the most conventional - a searching aria in which the violin sings alternately of melancholy longing, memories of past happiness, and hopes for the future. The brief second movement vividly portrays the brain-lacerating fury of the abandoned Dido as she realizes that Aeneas is really not coming back. After this explosion, the final movement is Tartini's masterstroke - an inconsequential scrap of melody so bleak and bereft that one can really feel the immanence of an impending suicide. Something which, in my opinion, for all its musical genius, Dido's Lament in Purcell's opera fails to achieve. For equivalent insight into such an extreme mental state, we need either to look back to Lear or forward to Beckett.

A crucial event for the young Tartini was his meeting with the virtuoso Francesco Maria Veracini. He was so overwhelmed by the Florentine's amazing bow technique that he withdrew from the public (and temporarily abandoned his wife) for a period of solitary practice, re-emerging with a longer bow, thicker strings and a new and wonderful control of cantabile playing.

The powerful forces of market distribution, i.e. the single composer bins in record stores, make us reluctant to adulterate our Tartinian product with too much foreign material but we couldn't resist giving our listeners just an idea of Veracini's style - so important to, but different from Tartini's own. Thus we've dared to include a sonata from Veracini's Opus 1. It illustrates, in the opening and fourth movements, his special cantabile and elsewhere, especially in the whirlwind finale, the sort of barnstorming virtuosity and lust for the heights that (pace North) created a storm of success in England, leading to the popular toast ‘One God, One King, and One Veracini!' Of course Tartini composed lighter works as well, and the 'Pastorale' which closes his Opus 1 is a fine example. It conjures up an idyllic countryside with its evocation of droning shepherd's pipes and tambour and the violin is given a unique silvery resonance by the clever trick of tuning the bottom two strings up a tone.

A very important friend and colleague of Tartini's was the cello and bass viol player Antonio Vandini. They played together in the orchestra of the Cathedral of Padua - where Tartini was concertmaster - for about 50 years. They shared a house in their twilight years after the death of Tartini's wife, and they travelled together to Prague and Vienna where they were invited to perform in the festivities for the coronation of Charles VI in 1723. The two were known to have played together without any help from a keyboard or lute (an Italian practice strongly condemned about this time by C.P.E. Bach) and we've presented the Largo from Op.1 No.5 in this way, so the listener can hear the intimacy this approach allows.

We take our leave of Tartini with a slow movement from one of the viol concertos written for Vandini - Grave in D minor. The orchestral accompaniment here is so restrained, probably to allow the subtlety of the viol to come through, that all the notes can be easily accommodated on the archlute. Tartini is in the next room, listening through the door, or perhaps dozing over one of his increasingly dotty essays on acoustics. Or is it just possible that he's sitting there, brow furrowed, in front of a blank sheet of manuscript paper, trying in vain for the thousandth time, the millionth time, to remember the sounds of that incomparable, infernal dream? © William Carter, London, 2007

Tracklist:

01-03 Sonata in G minor, Op.1 No.4 'The Devil's Trill'
04-06 Sonata in G minor, Op.1 No.10 'Didone abbandonata'
07-11 Sonata in A major, Op.1 No.7
12 Sonata in E minor, Op.1 No.5 - Largo
13-16 Sonata in A major, Op.1 No.13 'Pastorale'

Recorded at St Andrew's Church, Toddington UK 6th-8th November 2006
Engineered by Philip Hobb
https://www.fshare.vn/file/KAFZH4TL6S7D
Click to expand...

Bác ơi, vui lòng up lại link này giúp ạ. Bỗng nhiên nhớ J. Tartini quá.

Lặng Im, 9/4/19

#3250
chinhdn Member

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đánh dấu

chinhdn, 17/4/19

#3251
kamenrider1997 Well-Known Member

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Linkin Park - One More Light (2017) [24-44.1]

View attachment 341314 View attachment 341315

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Bác ơi! Bác có album có bài New Divide của Linkin Park ko cho e xin với ạ! tìm mãi chả thấy đâu

kamenrider1997, 21/4/19

#3252

tranluyen90 and laptruong687 like this.
nbiohk New Member

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John Legend - Darkness and Light

Format: FLAC 24 bit / 48 kHz
Genre: R&B
Source: http://www.hdtracks.com/darkness-and-light
Release Date: 2016

Grammy - and Academy Award-winning R&B singer, songwriter, and pianist John Legend, born John Stephens, was a child prodigy who grew up in Ohio, where he began singing gospel and playing piano at the age of five. Stephens left his home state at 16 to attend college in Philadelphia, and it was there that he first found a larger audience. Not yet out of his teens, Stephens was tapped to play piano on Lauryn Hill's "Everything Is Everything," a Top 40 hit for the Fugees member's 1998 album The Miseducation of Lauryn Hill. After completing college, Stephens moved to New York, where he built a loyal following playing in nightclubs and releasing CDs, such as Live at Jimmy's Uptown (2001) and Live at SOB's (2003), that he sold at shows. He also became an in-demand session musician, playing and occasionally writing for a wide array of artists including Alicia Keys, Twista, Janet Jackson, and Kanye West.

Tracklist:

01. I Know Better
02. Penthouse Floor
03. Darkness and Light
04. Overload
05. Love Me Now
06. What You Do to Me
07. Surefire
08. Right By You (for Luna)
09. Temporarily Painless
10. How Can I Blame You
11. Same Old Story
12. Marching Into the Dark

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Bác ơi link die up lại dùm em đii ((

nbiohk, 13/7/19

#3253

long dang cảm ơn bài này.
SamplerHiend Well-Known Member

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nbiohk nói: ↑

Bác ơi link die up lại dùm em đii ((
Click to expand...

Xin mạn phép Bác chủ nhé...!
Link đây Bạn:

Nhấn nút Cảm ơn (dưới chân bài) để thấy link!

SamplerHiend, 13/7/19

#3254

mater09, RandV, RinSu and 27 others like this.
nbiohk New Member

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SamplerHiend nói: ↑

Xin mạn phép Bác chủ nhé...!
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Cám ơn bác nhiều ạ

nbiohk, 13/7/19

#3255

Flash666, herolore1995, phamxuanvinh49 and 4 others like this.
xindavietnam Member

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theo dõi

xindavietnam, 14/7/19

#3256
DungCiu1505 New Member

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và mừng bác trở lại lợi hại hơn xưa

DungCiu1505, 18/7/19

#3257

trongnam62 cảm ơn bài này.
viettoyun New Member

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japan

bac chu rep lai link album : Blake Shelton - Cheers, it's Christmas thanks

viettoyun, 17/8/19

#3258
SamplerHiend Well-Known Member

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MRTV nói: ↑

link die rồi, cho mình xin lại
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Đã edit link rồi Bạn...!

SamplerHiend, 8/9/19

#3259

Thu Sang, trongnam62, lean8780 and 2 others like this.
tieuphi2006 Active Member

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thank anh

tieuphi2006, 18/9/19

#3260

(Bạn phải Đăng nhập hoặc Đăng ký để trả lời bài viết.)

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