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  1. overkillx

    overkillx Huyền Thoại

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    Frederic Chopin - Polonaises - Maurizio Pollini

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 61:38 minutes
    Size: 1.09 GB (10% Recovery)
    Year: 1976 (2015 Remaster)
    Source: PrestoClassical.co.uk

    Here is Pollini in all his early glory, in performances expertly transferred from 1976. Shorn of all virtuoso compromise or indulgence, the majestic force of his command is indissolubly integrated with the seriousness of his heroic impulse. Never have I been compelled into such awareness of the underlying malaise beneath the outward and nationalist defiance of the Polonaises. The tension and menace at the start of No. 2 are almost palpable, its storming and disconsolate continuation made a true mirror of Poland’s clouded history. The C minor Polonaise’s denouement, too, emerges with a chilling sense of finality, and Pollini’s way with the pounding audacity commencing at 3’00” in the epic F sharp minor Polonaise is like some ruthless prophecy of every percussive, anti-lyrical gesture to come. At 7’59” Chopin’s flame-throwing interjections are volcanic indeed, and if there is ample poetic delicacy and compensation (notably in the Polonaise-fantaisie, always among Chopin’s most profoundly speculative masterpieces), it is the more elemental side of his genius, his ‘canons’ rather than ‘flowers’ that are made to sear and haunt the memory.

    Tracklist:

    01. Polonaise No.1 in C sharp minor, Op.26 No.1
    02. Polonaise No.2 in E flat minor, Op.26 No.2
    03. Polonaise No.3 in A, Op.40 No.1 – “Military”
    04. Polonaise No.4 in C minor, Op.40 No.2
    05. Polonaise No.5 in F sharp minor, Op.44
    06. Polonaise No.6 in A flat, Op.53 -“Heroic”
    07. Polonaise No.7 in A flat, Op.61 Polonaise-Fantaisie​

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  2. overkillx

    overkillx Huyền Thoại

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    Arvo Part - Tintinnabuli - The Tallis Scholars, Peter Phillips

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 67:02 minutes
    Size: 1.09 GB (10% Recovery)
    Year: 2015
    Source: Gimell.com

    Given that the music of Arvo Pärt is among a vanishingly small group by whom it is possible to follow a clear line back to ‘early’ music, The Tallis Scholars are, on paper, the best group imaginable to record his music. Peter Phillips has disagreed in the past with the idea that there is a direct link between the two – it is certainly the case that the stasis that underpins Pärt’s harmony creates a kind of timelessness that is less, not more, in need of historical context – but either way, the purity of The Tallis Scholars’ sound provides the perfect scaffolding for the pieces on this disc. Not least because the bell-like, note-clustering Tintinnabuli music of Pärt (illustrated here in its most basic form in the Magnificat) is there specifically to address the issue of perception, time and history.

    Tracklist:

    01. O Weisheit
    02. O Adonai
    03. O Spross aus Isais Wurzel
    04. O Schlüssel Davids
    05. O Morgenstern
    06. O König aller Völker
    07. O Immanuel
    08. Magnificat
    09. Which Was the Son of …
    10. Nunc dimittis
    11. Quia viderunt oculi mei
    12. Gloria
    13. Now when Jesus was in Bethany
    14. Why trouble ye the woman?
    15. Verily I say unto you
    16. Then went the Pharisees
    17. And they brought unto him a penny
    18. I Am the True Vine
    19. Introduction In the name of the Father
    20. Ode I We do homage
    21. Ode II Unto the Birth-giver of God
    22. Ode III A rule of faith
    23. Coda Glory to the Father

    Recorded in the Chapel of Merton College with the kind permission of the Warden and Scholars of the House or College of Scholars of Merton in the University of Oxford.​

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  3. overkillx

    overkillx Huyền Thoại

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    Brahms, Schumann, Mahler - Piano Quartets - Daniel Hope, Paul Neubauer, David Finckel, Wu Han

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 77:19 minutes
    Size: 1.42 GB (10% Recovery)
    Year: 2015
    Source: PrestoClassical.co.uk

    This live album of piano quartets was recorded in March 2015, a presentation of the Chamber Music Society of Lincoln Center and released a mere six weeks later. Recorded at Alice Tully Hall in New York, the working duo of cellist David Finckel and pianist Wu Han is joined by violinist Daniel Hope and violist Paul Neubauer in presenting some of the finest pieces written in the Romantic era by Brahms, Schumann and Mahler, all bold, lush and exquisite works.

    Tracklist:

    01. 1. Nicht zu schnell
    02. 1. Sostenuto assai – Allegro ma non troppo
    03. 2. Scherzo (Molto vivace)
    04. 3. Andante cantabile
    05. 4. Finale (Vivace)
    06. 1. Allegro
    07. 2. Intermezzo (Allegro ma non troppo)
    08. 3. Andante con moto
    09. 4. Rondo alla Zingarese

    Recorded live at The Chamber Music Society of Lincoln Center at Alice Tully Hall, New York, 1 & 3 March 2015​

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  4. overkillx

    overkillx Huyền Thoại

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    Bach & Weiss - Lute Music - Toyohiko Satoh

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 68:42 minutes
    Size: 1.47 GB (10% Recovery)
    Year: 2015
    Source: HighResAudio.com

    The new solo CD of Toyohiko Satoh, the 72 year old Japanese lutenist who is considered my many as one of the most influential lute players of the last century, presents a well-known repertoire of baroque lute music. Mr. Satoh was the first lutenist to record Bach’s lute music on LP in the 70s (Phillips). Now he returns to this music 40 years later, delivering a completely different rendering of these iconic pieces. His playing has been influenced much by his studies of traditional Japanese arts such as tea ceremony, No-theater and Zen meditation. So here we are presented a recording that draws from the deep silence within, from the awareness of everything in the universe being connected, and from the understanding of Bach’s music as a universal, almost superhuman symbol of completeness.

    Tracklist:

    01. Ciacona E flat Major
    02. Prelude
    03. Allemande
    04. Courante
    05. Sarabande
    06. Menuet I – II
    07. Gigue
    08. Ciacona A Major
    09. Prelude
    10. Allemande
    11. Courante
    12. Sarabande
    13. Bouree I – II
    14. Gigue
    15. Ciacona G minor

    Recorded: April 2014, Kirishima International Concert Hall “Miyama Conseru”, Japan​

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  5. overkillx

    overkillx Huyền Thoại

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    Frank Peter Zimmermann - Mozart: Violin Concertos Nos. 1, 3 & 4

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    Format: FLAC (tracks) 24 bit/48 kHz
    Genre: Classical
    Time: 68:42 minutes
    Size: 884 MB (10% Recovery)
    Year: 2015
    Source: eClassical.com

    Today when Frank Peter Zimmermann says that Mozart has always been easy for him, he needs only call to mind his debut concert at the age of ten – when he played Mozart’s G major Concerto K. 216; or when, some 30 years ago, as a fresh 20-year-old, the same FPZ made his first recording of the five concertos for EMI; and then if one factors in that over the years that each of these Mozart works has passed through his hands nearly 300 times in concert, then one can begin to appreciate the intense physical and spiritual experience that Frank Peter Zimmermann brings to these new recordings.

    Tracklist:

    01. I. Allegro moderato
    02. II. Adagio
    03. III. Presto
    04. Adagio in E Major, K. 261
    05. Rondo in C Major, K. 373
    06. I. Allegro
    07. II. Adagio
    08. III. Rondeau: Allegro
    09. I. Allegro
    10. II. Andante cantabile
    11. III. Rondo: Andante grazioso​

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  6. overkillx

    overkillx Huyền Thoại

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    Andras Schiff - Johann Sebastian Bach: Six Partitas

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 132:49 minutes
    Size: 1.94 GB (10% Recovery)
    Year: 2009
    Source: HighResAudio.com

    After completing his highly praised Beethoven cycle, pianist András Schiff returns to Bach in this spot-on live recording of the Six Partitas. Though published as his Opus 1, the Partitas were Bach’s last compositions for keyboard. Both reasons make it a keystone in the mythical Bach pantheon. Although “partita” is essentially a euphemism for “suite,” in Bach’s hands the form was opened to a freer and more complex sense of infrastructure and performative demands.

    Tracklist:

    Partita V In G Major (BWV 829)
    1-01 Praeambulum
    1-02 Allemande
    1-03 Corrente
    1-04 Sarabande
    1-05 Tempo Di Minuetta
    1-06 Passepied
    1-07 Gigue
    1-08 Fantasia
    1-09 Allemande
    1-10 Corrente
    1-11 Sarabande
    1-12 Burlesca
    1-13 Scherzo
    1-14 Gigue
    Partita I In B-Flat Major (BWV 825)
    1-15 Praeludium
    1-16 Allemande
    1-17 Corrente
    1-18 Sarabande
    1-19 Menuet I
    1-20 Menuet II
    1-21 Gigue
    Partita II In c Minor (BWV 826)
    1-22 Sinfonia
    1-23 Allemande
    1-24 Courante
    1-25 Sarabande
    1-26 Rondeau
    1-27 Capriccio
    Partita IV In D Major (BWV 828)
    2-01 Ouverture
    2-02 Allemande
    2-03 Courante
    2-04 Aria
    2-05 Sarabande
    2-06 Menuet
    2-07 Gigue
    Partita VI In e Minor (BWV 830)
    2-08 Toccata
    2-09 Allemande
    2-10 Corrente
    2-11 Air
    2-12 Sarabande
    2-13 Tempo Di Gavotta
    2-14 Gigue ​

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  7. overkillx

    overkillx Huyền Thoại

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    Ricercar Consort, Philippe Pierlot
    J.S.Bach: Johannes Passion, BWV 245 (Passio secundum Johannem, St. John Passion)


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    Format: FLAC (tracks) 24 bit/88,2 kHz
    Genre: Classical
    Time: 113:31 minutes
    Size: 1.95 GB (10% Recovery)
    Year: 2011
    Source: Qobuz.com

    Tracklist:

    Première partie / Erster Teil / Part One
    01. Coro. Herr, unser Herrscher
    02. Recitativo. Jesus ging mit seinen Jüngern – Coro. Jesum von Nazareth – Recitativo. Jesus spricht zu ihnen – Coro. Jesum von Nazareth – Recitativo. Jesus antwortete
    03. Choral. O große Lieb
    04. Recitativo. Auf dass das Wort erfüllet wurde
    05. Choral. Dein Will gescheh
    06. Recitativo. Die Schar aber und der Oberhauptmann
    07. Aria Alto. Von den Stricken meiner Sünden
    08. Recitativo. Simon Petrus aber folgete Jesu
    09. Aria Soprano. Ich folge dir gleichfalls
    10. Recitativo. Derselbige Jünger
    11. Choral. Wer hat dich so geschlagen
    12. Aria Basso e Soprano. Himmel reiße, Welt erbebe
    13. Recitativo. Und Hannas sandte ihn – Coro. Bist du nicht seiner Jünger einer? – Recitativo. Er leugnete aber und sprach
    14. Aria Tenore. Ach, mein Sinn
    15. Choral. Petrus, der nicht denkt zurück

    Deuxième partie / Zweiter Teil / Part Two
    01. Choral. Christus, der uns selig macht
    02. Recitativo. Da führeten sie Jesum von Kaiphas – Coro. Wäre dieser nicht ein Übeltäter Recitativo. Da sprach Pilatus zu ihnen – Coro. Wir dürfen niemand töten – Recitativo. Auf dass erfüllet würde das Wort Jesu 3’55
    03. Choral. Ach großer König
    04. Recitativo. Da sprach Pilatus zu ihm – Coro. Nicht diesen, sondern Barrabam – Recitativo. Barrabas aber war ein Mörder
    05. Arioso Basso. Betrachte, mein Seel
    06. Aria Tenore. Erwäge, wie sein blutgefärbter Rücken
    07. Recitativo. Und die Kriegsknechte flochten – Coro. Sei gegrüßet, lieber Jüdenkönig – Recitativo. Und gaben ihm Backenstreiche – Coro. Kreuzige ! – Recitativo. Pilatus sprach zu ihnen – Coro. Wir haben ein Gesetz – Recitativo. Da Pilatus das Wort hörete
    08. Choral. Durch dein Gefängnis
    09. Recitativo. Die Jüden aber schrieen – Coro. Lässest du diesen los – Recitativo. Da Pilatus das Wort hörete – Coro. Weg, weg mit dem – Recitativo. Spricht Pilatus zu ihnen – Coro. Wir haben keinen König – Recitativo. Da überantwortete er ihn
    10. Aria Basso e Coro. Eilt, ihr angefochtnen Seelen
    11. Recitativo. Allda kreuzigten sie ihn – Coro. Schreibe nicht – Recitativo. Pilatus antwortet
    12. Choral. In meines Herzens Grunde
    13. Recitativo. Die Kriegsknechte aber – Coro. Lasset uns den nicht zerteilen – Recitativo. Auf dass erfüllet würde die Schrift
    14. Choral. Er nahm alles wohl in acht
    15. Recitativo. Und von Stund an
    16. Aria Alto. Es ist vollbracht
    17. Recitativo. Und neiget das Haupt
    18. Aria Basso e Coro. Mein teurer Heiland
    19. Recitativo. Und siehe da
    20. Arioso Tenore. Mein Herz, in dem die ganze Welt
    21. Aria Soprano. Zerfließe, mein Herze
    22. Recitativo. Die Jüden aber
    23. Choral. O hilf, Christe, Gottes Sohn
    24. Recitativo. Darnach bat Pilatum
    25. Coro. Ruht wohl, ihr heiligen Gebeine
    26. Choral. Christe, du Lamm Gottes
    27. Choral. Ach Herr, lass dein lieb Engelein (alternative)​

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  8. overkillx

    overkillx Huyền Thoại

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    Mattias Wager, Anders Åstrand - Live At Vatnajökull: Improvisations

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    Format: DSD128 (.dff tracks) 1 bit/5,64 mHz
    Genre: Classical
    Time: 56:52 minutes
    Size: 3.15 GB (10% Recovery)
    Year: 1998 (2013 Remaster)
    Source: DSDFile.com

    If you are wondering what prompted an organist and a percusion/marimba/vibraphone player to journey to Iceland to make a recording with improvised music and a special arrangement of Maurice Ravel´s Bolero, then perhaps the word inspiration could be the most succinct answer. It is this which gives rise to the expression "inspired performance" which can certainly be applied to this recording.

    Tracklist:

    01. Introduction
    02. Fasten seat belts
    03. Walking
    04. Gaining ground
    05. Soon
    06. Live at Vatnajökull
    07. Plateau
    08. Slip
    09. Bump
    10. Improvisations on Icelandic hymn, no:41. - "Vist ertu Jesus, kongur klar"
    11. Maurice Ravel: Bolero (Arranged by Masahiko Saloh)​

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  9. danrau

    danrau Active Member

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  10. overkillx

    overkillx Huyền Thoại

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    Mình tải lại bản foobar2k khác hiện đã chơi được cả 2 loại đó rồi
    Thanks bác
     
  11. HoangGlory

    HoangGlory Active Member

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    Bác kiếm PM nào chơi native DSD ấy chứ, DSD over PCM suy giảm chất lượng nhiều ạ
     
  12. minhdung86

    minhdung86 New Member

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    link die rồi bạn ơi
     
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  13. overkillx

    overkillx Huyền Thoại

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    Đã cập nhật link mới
     
  14. overkillx

    overkillx Huyền Thoại

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    Isabelle Faust - Robert Schumann: Violin Concerto

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    Genre: Classical
    Time: 61:36 minutes
    Size: 1.15 GB (10% Recovery)
    Year: 2015
    Source: HDTracks.com

    In the autumn of 1851 Schumann composed, in rapid succession, the two violin sonatas and, in the space of just seven days from 2 to 9 October, the Piano Trio no.3, Op.110. As always during his work, Schumann was oblivious to everything around him, neglected social obligations, and isolated himself – even from Clara. ‘Robert is working very assiduously on a trio for piano, violin, and cello,’ she confided to her diary, ‘but he won’t let me hear anything of it until he has quite finished it – all I know is that it’s in G minor.’

    Tracklist:

    Violin Concerto WoO 1 in D minor
    01. | n kräftigem, nicht zu schnellem Tempoeo
    02. | II. Langsam
    03. | III. Lebhaft, doch nicht schnell
    Piano Trio no.3 op.110 in G minor
    04. | I. Bewegt, doch nicht zu rasch
    05. | II. Ziemlich langsam
    06. | III. Rasch
    07. | IV. Kräftig, mit Humor

    Recorded: May and September 2014 at Teldex Studio Berlin in Berlin, Germany.​

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  15. overkillx

    overkillx Huyền Thoại

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    London Symphony Orchestra, Sir Colin Davis - Carl Nielsen: Symphonies Nos. 4 & 5

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 66:38 minutes
    Size: 1.47 GB (10% Recovery)
    Year: 2011
    Source: Hyperion-Records.co.uk

    Tracklist:

    01. Allegro
    02. Poco allegretto
    03. Poco adagio quasi andante
    04. Allegro
    05. Movement 1a: Tempo giusto
    06. Movement 1b: Adagio
    07. Movement 2: Allegro – Presto – Andante poco tranquillo – Allegro (Tempo I)

    Recorded: May 2010 & October 2009 at Barbican, London, United Kingdom​

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  16. overkillx

    overkillx Huyền Thoại

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    Josef Krips, LSO - Beethoven: Symphony No.5 in C Minor, Op. 67 & Egmont Overture

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    Format: FLAC (tracks) 24 bit/192 kHz
    Genre: Classical
    Time: 42:05 minutes
    Size: 1.52 GB (10% Recovery)
    Year: 1960 (2013 Remaster)
    Source: HDTracks.com

    In presenting a new recording of one of the world's most popular symphonies, the Fifth Symphony of Beethoven, it is fitting that it should be conducted by a musician internationally acclaimed as one of the foremost Beethoven interpreters of our day, Josef Krips. All the dynamism of the music and its performance has been faithfully preserved through the magic of Everest sound.

    Tracklist:

    01 - Symphony No. 5 in C Minor, Op. 67 "Fate": I. Allegro con brio
    02 - Symphony No. 5 in C Minor, Op. 67 "Fate": II. Andante con moto
    03 - Symphony No. 5 in C Minor, Op. 67 "Fate": III. Allegro
    04 - Symphony No. 5 in C Minor, Op. 67 "Fate": IV. Allegro
    05 - Egmont Overture - Incidental Music, Op. 84​

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  17. overkillx

    overkillx Huyền Thoại

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    Josef Krips, LSO - Beethoven: Symphony No.6 in F Major Op.68 'Pastoral'

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    Format: FLAC (tracks) 24 bit/192 kHz
    Genre: Classical
    Time: 40:51 minutes
    Size: 1.51 GB (10% Recovery)
    Year: 1960 (2013 Remaster)
    Source: HDTracks.com

    Josef Krips conducting the London Symphony Orchestra. This beautiful “nature” symphony receives an exquisite performance at the hands of a noted Beethoven interpreter. The composer’s sounds of nature are reproduced with like naturalness in Everest’s incomparable recording.

    Tracklist:

    01 - Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro ma non troppo
    02 - Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Andante molto mosso
    03 - Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Allegro
    04 - Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Allegro
    05 - Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Allegretto​

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  18. overkillx

    overkillx Huyền Thoại

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    Olafur Arnalds, Alice Sara Ott - The Chopin Project

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 45:35 minutes
    Size: 944 MB (10% Recovery)
    Year: 2015
    Source: HDTracks.com

    Award-winning young Icelandic pop/classical musician Ólafur Arnalds uses a radical new approach to recording the music of Chopin. Arnalds developed an intimate, fragile and often charmingly imperfect sound using old/unusual/altered pianos captured on vintage recording equipment and various mixing techniques to re-enforce feelings of solitude or loneliness, and to create dreamlike ambient soundscapes. Pianist Alice Sara Ott joins and Ólafur has composed new works to link the album together.

    Tracklist:

    01. Verses
    02. Piano Sonata No.3: Largo
    03. Nocturne in C Sharp Minor
    04. Reminiscence
    05. Nocturne in G Minor
    06. Eyes Shut – Nocturne in C Minor
    07. Written In Stone
    08. Letters Of A Traveller
    09. Prélude in D Flat Major (Raindrop)

    Tracks 1, 4, 6, 7, 8 composed and arranged by Ólafur Arnalds, based on music of Frédéric Chopin
    Tracks 1 and 7 based on Piano Sonata No. 3 in B Minor, op. 58: III. Largo
    Track 4 based on Nocturne No. 20 in C Sharp Minor, op. posth.
    Track 6 based on Nocturne No. 13 in C Minor, op. 48 No. 1.
    Track 8 based on Nocturne No. 8 in D Flat Major, op. 27 No. 2.
    Track 3 arranged by Nathan Milstein.

    Recorded: E7 Studios and Harpa Concert Hall, Iceland​

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    hoangkyvong, z123, bb8800duy and 3 others like this.
  19. overkillx

    overkillx Huyền Thoại

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    Vladimir Ashkenazy - Scriabin - Vers la Flamme: Works for solo piano

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 45:35 minutes
    Size: 1.41 GB (10% Recovery)
    Year: 2015
    Source: HighResAudio.com

    Vladimir Ashkenazy turns to the fine art of the piano miniature in this album, unlocking the poetic expression and vibrant colours of forty exquisite pieces by Alexander Scriabin (1872–1915). Vers la flame, released in April 2015 to mark the centenary of Scriabin’s death, opens with the C sharp minor Étude Op.2 No.1, written during its composer’s mid-teens, and comprises such late masterworks as the album’s title track and the five Préludes Op.74.

    Tracklist:

    01- Etude Op.2 No.1 in C sharp minor - Andante
    02- Mazurkas Op.3 No.6 in C sharp minor - Scherzando
    03- Mazurkas Op.3 No.7 in E minor - Con passione
    04- Mazurkas Op.3 No.10 in E flat minor - Sotto voce
    05- Etudes Op.8 No.5 in E major - Brioso
    06- Etudes Op.8 No.7 in B flat minor - Presto tenebroso, agitato
    07- Etudes Op.8 No.10 in D flat major - Allegro
    08- Etudes Op.8 No.11 in B flat minor - Andante
    09- Etudes Op.8 No.12 in D sharp minor - Patetico
    10- Preludes Op.22 No.1 in G sharp major - Andante
    11- Preludes Op.22 No.2 in C sharp minor - Andante
    12- Preludes Op.22 No.3 in B major - Allegretto
    13- Preludes Op.22 No.4 in B minor - Andantino
    14- Etudes Op.42 No.1 in D flat major - Presto
    15- Etudes Op.42 No.2 in F sharp minor - Crotchet=112
    16- Etudes Op.42 No.3 in F sharp major - Prestissimo
    17- Etudes Op.42 No.4 in F sharp major - Andante
    18- Etudes Op.42 No.5 in C sharp minor - Affannato
    19- Etudes Op.42 No.6 in D flat major - Esaltato
    20- Etudes Op.42 No.7 in F minor - Agitato
    21- Etudes Op.42 No.8 in E flat major - Allegro
    22- Morceaux Op.45 - I. Feuillet d'album - Andante piacevole
    23- Morceaux Op.45 - II. Poeme fantasque - Presto
    24- Morceaux Op.45 - III. Prelude - Andante
    25- Quasi-valse Op.47
    26- Morceaux Op.52 - I. Poeme - Lento - Piu vivo - Tempo I
    27- Morceaux Op.52 - II. Enigme - Etrange, capricieusement
    28- Morceaux Op.52 - III. Poeme languide - Pas vite
    29- Pieces Op.57 - I. Desir
    30- Pieces Op.57 - II. Caresse dansee
    31- Feuillet d'album Op.58 - Con delicatezza
    32- Poemes Op.63 - I. Masque - Allegretto. Avec une douceaur cachee
    33- Poemes Op.63 - II. Etrangete - Gracieux, delicat
    34- Poemes Op.69 - I. Allegretto. Tendre, delicat
    35- Poemes Op.69 - II. Allegretto. Aigu, capricieux
    36- Poemes Op.71 - I. Fantastique
    37- Poemes Op.71 - II. En revant, avec une grande douceur
    38- Vers la flamme Op.72 - ALlegro moderato
    39- Preludes Op.74 No.1 Douloureux, dechirant
    40- Preludes Op.74 No.2 Tres lent, contemplatif
    41- Preludes Op.74 No.3 Allegro drammatico
    42- Preludes Op.74 No.4 Lent, vague, indecis
    43- Preludes Op.74 No.5 Fier, belliqueux
    44- Prelude Op.3 No.1​

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  20. overkillx

    overkillx Huyền Thoại

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    Alban Gerhardt, Royal Flemish Philharmonic, Josep Caballe-Domenech
    Vieuxtemps: Cello Concertos; Ysaye: Meditation & Serenade


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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 65:06 minutes
    Size: 1.24 GB (10% Recovery)
    Year: 2015
    Source: Hyperion-Records.co.uk

    Hyperion’s blossoming Romantic Cello Concerto series welcomes back German virtuoso Alban Gerhardt for this sixth volume. Henry Vieuxtemps and Eugène Ysaÿe are of course best known for their blistering pyrotechnics on the violin, but each of this eminent teacher-and-pupil pairing also wrote two works—little known today, alas—for cello and orchestra, and what a revelation they are. The two Vieuxtemps Concertos contain all the elements familiar from their famous violin counterparts—long-arched melodies alongside moments of outrageous virtuoso demands. The Ysaÿe works are shorter and make ideal companions.
    Gerhardt rises to the formidable challenges presented by these composers. Sympathetic orchestral support comes from the Royal Flemish Philharmonic (compatriots of the two composers) and Josep Caballé-Domenech, making his Hyperion conducting debut.

    Tracklist:

    01- Cello Concerto No 1 in A minor, Op 46 - 1: Allegro moderato
    02- Cello Concerto No 1 in A minor, Op 46 - 2: Andante
    03- Cello Concerto No 1 in A minor, Op 46 - 3: Allegro
    04- Cello Concerto No 2 in B minor, Op 50 - 1: Allegro
    05- Cello Concerto No 2 in B minor, Op 50 - 2: Adagio
    06- Cello Concerto No 2 in B minor, Op 50 - 3: Allegretto con moto
    07- Méditation in B minor 'Poème', Op 16
    08- Sérénade in A major, Op 22​

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